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Cited by

• 1996Prairie Prospects: The Aesthetics of Plainness33 cited
• 2004Inventing the "Found" Object: Artifactuality, Folk History, and the Rise of Capitalist Ethnography in 1930s America22 cited
• 2013Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1910-45)19 cited
• 1999First-person Plural: The Voice of the Masses in Farm Security Administration Documentary13 cited
• 1993Images of the Common Good6 cited
• 2010No Democracy in Quality: Ansel Adams, Beaumont and Nancy Newhall, and the Founding of the Department of Photographs at the Museum of Modern Art5 cited
• 1998Migrant space, migrant community: Williams, Bakhtin, and cultural analysis4 cited
• 1996The visibility of poverty: A rural vision of depression in the photographs of the farm security administration2 cited
• 2011La publication de photographies d’enfants noirs à la fin des années 1930 aux États-Unis1 cited