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Directing the real
10 references·0 citing·29 second hop
Directing the real (1998)Directing the realThe Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Cinema, Capital of the Twentieth Century (1994)Cinema, Capital of the Twenti…The Autobiography of Malcolm X (1992)The Autobiography of Malcolm XThe national pastime: Contemporary Philippine cinema (1990)The national pastime: Contemp…Narrative, Apparatus, Ideology: A Film Theory Reader (1986)Narrative, Apparatus, Ideolog…Readings in Philippine cinema (1983)Readings in Philippine cinemaTheory and Film: Principles of Realism and Pleasure (1976)Theory and Film: Principles o…Philippine society and revolution (1971)Philippine society and revolu…The mis-education of the Filipino (1970)The mis-education of the Fili…The meaning of contemporary realism (1963)The meaning of contemporary r…Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Nostalgia-A Polemic (1988)Geographies of retailing and consumption (2000)Anywhere or not at all: philosophy of contemporary art (2014)The ‘Unfinished Revolution’ in Philippine Political Discourse (1993)Exemplifying accumulation by dispossession: mining and indigenous peoples in the philippines (2011)Postcolonial Fissures and the Contingent Nation: An Antinationalist Critique of Philippine Historiography (2013)The Last Great American Picture Show : New Hollywood Cinema in the 1970s (2004)The Last great American picture show: new Hollywood cinema in the 1970s (2004)¿DE QUÉ HABLAMOS CUANDO HABLAMOS DE CULTURA VISUAL? (2005)LoóbandKapwa: An Introduction to a Filipino Virtue Ethics (2015)The Coloniality of Neoliberal English: The Enduring Structures of American Colonial English Instruction in the Philippines and Puerto Rico (2015)Entanglements of colonialism, social class, and Unequal Englishes (2019)The Effects of Race, Gender, and Fandom on Audience Interpretations of Madonna's Music Videos (1990)Death Every Afternoon (2003)Second Language Learners Making Video in Three Contexts (2012)African Self-Consciousness and the Mental Health of African-Americans (1984)A Question of Character: Re(-)signing the Racial Contract (2004)Racial Politics in Post-Revolutionary Cuba (2005)Philippine Politics and Society in the Twentieth Century: Colonial Legacies, Post-Colonial Trajectories (2000)Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema (2009)Fandom, Consumption and Collectivity in the Philippine New Cinema: Nora and the Noranians (2012)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)House of Glass: Culture, Modernity, and the State in Southeast Asia (2001)Primates in Paradise: Critical Possibilities of the Milieu Movie (2011)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1963The meaning of contemporary realism585 cited
  • 1986Narrative, Apparatus, Ideology: A Film Theory Reader567 cited
  • 1970The mis-education of the Filipino189 cited
  • 1992The Autobiography of Malcolm X164 cited
  • 1971Philippine society and revolution124 cited
  • 1976Theory and Film: Principles of Realism and Pleasure93 cited
  • 1994Cinema, Capital of the Twentieth Century54 cited
  • 1983Readings in Philippine cinema41 cited
  • 1990The national pastime: Contemporary Philippine cinema39 cited

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