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Westerns: Aspects of a Movie Genre
0 references·11 citing·41 second hop
Westerns: Aspects of a Movie Genre (1973)Westerns: Aspects of a Movie GenreThe Routledge Companion to British Cinema History (2017)The Routledge Companion to Br…Imperial Affects: Sensational Melodrama and the Attractions of American Cinema (2017)Imperial Affects: Sensational…Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood (2016)Transactions with the World: …New Frontiers for Post-Western Cinema: Frozen River, Sin Nombre, Winter’s Bone (2015)New Frontiers for Post-Wester…16 Xerxes Goes to Hollywood (2007)16 Xerxes Goes to HollywoodRace, Labor, and the Gothic Western: Dispelling Frontier Myths in Dorothy Scarborough's The Wind (2000)Race, Labor, and the Gothic W…Homeric kleos and the Western Film (1996)Homeric kleos and the Western…From the New Frontier to the Final Frontier: Star Trek From Kennedy To Gorbachev (1994)From the New Frontier to the …From matrimony to malaise: Men and women in the American film, 1930?1980 (1987)From matrimony to malaise: Me…Prologue to a Study of Myth and Genre in American Movies (1984)Prologue to a Study of Myth a…Thomas Hart Benton'sBoomtown:Regionalism Redefined (1981)Thomas Hart Benton'sBoomtown:…The Order of Things: An Archaeology of the Human Sciences. (1971)The World Viewed. Reflections on the Ontology of Film. (1972)Anhedonia: Gender and the Decline of Emotions in American Film, 1930– (1990)Portrayals of career women in Hollywood films: implications for the glass ceiling’s persistence (2015)“Civilization” and its discontents (2019)The Country and the City (1973)Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (1997)The Short Story Cycle and Western Gothic in "The Pastures of Heaven" (2007)The Short Story Cycle and Western Gothic in The Pastures of Heaven (2007)The Wages of Whiteness (2017)A Thousand Days. John F. Kennedy in the White House (1966)America in our time (1976)Textual poachers : television fans & participatory culture (1992)What is cinema (1967)The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry (1981)Past imperfect: history according to the movies (1996)Keywords: A Vocabulary of Culture and Society (1977)"The Whole World Is Watching": Mass Media in the Making and Unmaking of the New Left (1981)Historical Metaphors and Mythical Realities (1981)Animating leadership: Crisis and renewal of governance in 4 mythic narratives (2009)Indigenizing the city and the future of Maori culture: The construction of community in Auckland as representation, experience, and self‐making (2011)The Spartan Tradition in European Thought (1970)Accent and Social Class Effects on Status and Solidarity Evaluations (1985)Biblical epics: sacred narrative in the Hollywood cinema (1994)The Interpretation of Cultures: Selected Essays. (1975)Postmodernism, or, The cultural logic of late capitalism (1991)Modernity at Large: Cultural Dimensions of Globalization. (1998)Film as film : understanding and judging movies (1991)Film history terminable and interminable: recovering the past in reception studies (1997)Close up, 1927-1933: cinema and modernism (1999)The Occult Roots of MTV (2017)Critical Analysis of the Significance of Tax Incentives for the Cultural Industry in the Pre-digital Era and in the Context of Digitalization (2022)Film Policy, Social Value, and the Mediating Role of Screen Agencies (2022)States of Injury (1995)3.2. MARXISM AND LITERATURE (2006)Frames of war: when is life grievable? (2009)Digital Film Restoration and the Politics of Whiteness in Peter Jackson’sThey Shall Not Grow Old (2021)TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion” (2021)The Law of Genre (1980)Imperial Eyes: Travel Writing and Transculturation. (1993)The Truth about Stories: A Native Narrative (2006)
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Cited by

  • 2017The Routledge Companion to British Cinema History40 cited
  • 2016Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood20 cited
  • 1987From matrimony to malaise: Men and women in the American film, 1930?198014 cited
  • 2017Imperial Affects: Sensational Melodrama and the Attractions of American Cinema13 cited
  • 2015New Frontiers for Post-Western Cinema: Frozen River, Sin Nombre, Winter’s Bone10 cited
  • 2000Race, Labor, and the Gothic Western: Dispelling Frontier Myths in Dorothy Scarborough's The Wind8 cited
  • 1984Prologue to a Study of Myth and Genre in American Movies8 cited
  • 200716 Xerxes Goes to Hollywood7 cited
  • 1994From the New Frontier to the Final Frontier: Star Trek From Kennedy To Gorbachev6 cited
  • 1996Homeric kleos and the Western Film6 cited
  • 1981Thomas Hart Benton'sBoomtown:Regionalism Redefined2 cited

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