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Cited by

• 2013Why New Hybrid Organizations are Formed: Historical Perspectives on Epistemic and Academic Drift40 cited
• 2013Reflective debate, radical transparency and trust in the museum34 cited
• 2014OCCUPY MoMA: The (Risks and) Potentials of a Musée de la danse!32 cited
• 2011Behind the scenes of the museum website31 cited
• 2009The road to Smith: how the Geological Society came to possess English geology19 cited
• 2013Preparing a new generation: thoughts on contemporary museum studies training16 cited
• 2011Composing a Public Image Online: Art Museums and Narratives of Architecture in Web Mediation15 cited
• 2015The “Active Museum”: How Concern with Community Transformed the Museum13 cited
• 2009Among the Dead and Their Possessions: A Conservator's Role in the Death, Life, and Afterlife of Human Remains and Their Associated Objects11 cited
• 2019‘Permanent Displays’ as Unsettling Layers of Epistemologies, Politics and Aesthetics11 cited
• 2018Media, mediatisation and museums8 cited
• 2015Bridging the gap in digital art preservation: interdisciplinary reflections on authenticity, longevity and potential collaborations7 cited
• 2009The ‘reflexive museum’ – opening the door to behind the scenes7 cited
• 2010