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Perspectives on Mozart performance
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Perspectives on Mozart performance (1992)Perspectives on Mozart performanceMozart’s Influence on Nineteenth-Century Composers (2018)Mozart’s Influence on Ninetee…Mozart and Freemasonry (2018)Mozart and FreemasonryMozart ‘stuck in music’ in Paris (1778): towards a new biographical paradigm (2015)Mozart ‘stuck in music’ in Pa…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Knowing Mendelssohn: A Challenge from the Primary Sources (2004)Knowing Mendelssohn: A Challe…Vogler's Method of Singing (1998)Vogler's Method of SingingMozart's Notation of Staccato Articulation: A New Appraisal (1997)Mozart's Notation of Staccato…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Essay on the True Art of Playing Keyboard Instruments (1949)The Letters of Mozart and His Family. (1966)The New Grove dictionary of opera (1993)Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries (1987)The Romantic Generation (1995)Mendelssohn: A Life in Music (2003)Mozart, His Character, His Work (1945)Mozart: Studies of the Autograph Scores (1987)Haydn, Mozart and the Viennese School, 1740-1780 (1997)Classic Music: Expression, Form, and Style (1981)Britons: forging the nation, 1707-1837 (1993)Elements of Sonata Theory (2006)The Republic of Love (2026)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1997Mozart's Notation of Staccato Articulation: A New Appraisal45 cited
  • 2015Mozart ‘stuck in music’ in Paris (1778): towards a new biographical paradigm42 cited
  • 2018Mozart and Freemasonry16 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 1998Vogler's Method of Singing6 cited
  • 2004Knowing Mendelssohn: A Challenge from the Primary Sources6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited
  • 2018Mozart’s Influence on Nineteenth-Century Composers

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2 cited