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Cited by

• 2007Scientific Method for Medical Practitioners: The Case Method of Teaching Pathology in Early Twentieth-Century Edinburgh64 cited
• 2011The Beauty of Anatomy: Visual Displays and Surgical Education in Early-Nineteenth-Century London57 cited
• 2008The pulse of modernism: experimental physiology and aesthetic avant-gardes circa 190050 cited
• 2006The History of the Patient History since 185049 cited
• 2007The Smell of Macbeth45 cited
• 2003Making Sense of Social History38 cited
• 2006‘The Little Pipe Sings Sweetly while the Fowler Deceives the Bird’: Sirens in the Later Middle Ages36 cited
• 2018Sensing space and making place: the hospital and therapeutic landscapes in two cancer narratives32 cited
• 2010Hearing Science in Mid-Eighteenth-Century Britain and France29 cited
• 2004Fume and Perfume: Some Eighteenth-Century Uses of Smell28 cited
• 2015The Illustrious Anatomist: Authorship, Patronage, and Illustrative Style in Anatomy Folios, 1700–184023 cited
• 2006The Meaning of Signs: Diagnosing the French Pox in Early Modern Augsburg19 cited
• 2008“An Account of an Unaccountable Distemper”: The Experience of Pain in Early Eighteenth-Century England and France17 cited
• 2002The making of extraordinary facts: authentication of singularities of nature at the Royal Society of London in the first half of the eighteenth century