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Introduction: Haneke's Anachronism
10 references·1 citing·20 second hop
Introduction: Haneke's Anachronism (2010)Introduction: Haneke's AnachronismMichael Haneke's Cinema: The Ethic of the Image (2010)Michael Haneke's Cinema: The …MICHAEL HANEKE'S CINEMA (2009)MICHAEL HANEKE'S CINEMAShooting crabs in a barrel (2007)Shooting crabs in a barrelTheorising National Cinema (2006)Theorising National CinemaEuropean Cinema (2005)European CinemaZur Kritik der Kino-Gewalt : Die Filme von Michael Haneke (2003)Zur Kritik der Kino-Gewalt : …Trauma Zwischen Psychoanalyse Und Kulturellem Deutungsmuster (1999)Trauma Zwischen Psychoanalyse…From Hitler to Heimat: the return of history as film (1990)From Hitler to Heimat: the re…New German cinema: a history (1989)New German cinema: a historyNarration in the Fiction Film (1986)Narration in the Fiction FilmVariations of an Archetypal Scene: The Paris Métro Confrontation in Michael Haneke's Code Unknown (2013)Variations of an Archetypal S…Reconceptualizing national cinema/s (1993)Harun Farocki : Working on the Sight-Lines (2004)Film Festivals : From European Geopolitics to Global Cinephilia (2007)"I Wanted You to Be Present": Guilt and the History of Violence in Michael Haneke's Caché (2010)Surveillance and the indifferent gaze in Michael Haneke'sCaché(2005) (2011)Valences of Interdisciplinarity: Theory, Practice, Pedagogy (2012)Trespassing Through Shadows: Memory, Photography, And The Holocaust (1998)Expected Option Returns (1999)Musical Witness and Holocaust Representation (2015)Narrative Complexity in Contemporary American Television (2006)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Routledge Handbook of Multimodal Analysis (2010)Benny's Video, Caché, and the Desubstantiated Image (2006)Film festival research from an organizational studies perspective (2010)Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)Beyond Négritude: Black cultural citizenship and the Arab question in FESTAC 77 (2015)The (Un) spectacle of the real: Forwarding an active spectator in Michael Haneke'sLe temps du loup/Time of the Wolf(2003) (2010)THE REPRESENTATION OF AFRICAN TRADITIONAL RELIGION AND CULTURE IN NIGERIA POPULAR FILMS (2011)Shakespeare and World Cinema (2012)Internationalizing "International Communication" (2015)
this work references cited by second hop

References

  • 1986Narration in the Fiction Film1,483 cited
  • 2005European Cinema272 cited
  • 1989New German cinema: a history211 cited
  • 2006Theorising National Cinema192 cited
  • 1990From Hitler to Heimat: the return of history as film129 cited
  • 2009MICHAEL HANEKE'S CINEMA61 cited
  • 2007Shooting crabs in a barrel34 cited
  • 1999Trauma Zwischen Psychoanalyse Und Kulturellem Deutungsmuster34 cited
  • 2010Michael Haneke's Cinema: The Ethic of the Image33 cited
  • 2003Zur Kritik der Kino-Gewalt : Die Filme von Michael Haneke18 cited

Cited by

  • 2013Variations of an Archetypal Scene: The Paris Métro Confrontation in Michael Haneke's Code Unknown6 cited

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