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The Popular Music Studies Reader
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The Popular Music Studies Reader (2005)The Popular Music Studies ReaderWriting about Popular Music (2019)Writing about Popular MusicThe Cambridge History of Music Criticism (2019)The Cambridge History of Musi…Music Everywhere: Setting a Digital Music Trap (2017)Music Everywhere: Setting a D…Rocking the Culture Industry/Performing Breakdown: Pink Floyd'sThe Walland the Termination of the Postwar Era (2012)Rocking the Culture Industry/…Out of Bounds: Cultural Barriers to Female Sports Participation in Qatar (2012)Out of Bounds: Cultural Barri…Learning, teaching, and musical identity: voices across cultures (2012)Learning, teaching, and music…Introduction: Affective Fabrics of Digital Cultures (2012)Introduction: Affective Fabri…Hip‐Hop as Urban and Regional Research: Encountering an Insider's Ethnography of City Life (2012)Hip‐Hop as Urban and Regional…Voice, place and genre in popular song performance1 (2011)Voice, place and genre in pop…Soundtrack of the School Shootings (2011)Soundtrack of the School Shoo…Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture (2011)Grunge, Riot Grrrl and the Fo…Creative Networks and the City (2010)Creative Networks and the CityCreative multilingualism in Hong Kong popular music (2010)Creative multilingualism in H…The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)The Software Slump?: Digital …“Heritage rock”: Rock music, representation and heritage discourse (2009)“Heritage rock”: Rock music, …Rap, Recidivism and the Creative Self: A Popular Music Programme for Young Offenders in Detention (2007)Rap, Recidivism and the Creat…Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Black Atlantic: Modernity and Double Consciousness (1994)Globalization: The Human Consequences (1998)Language change, social change, sociolinguistic change: A meta‐commentary (2014)Rihanna Works Her Multivocal Pop Persona: A Morpho-syntactic and Accent Analysis of Rihanna's Singing Style (2017)Text-linguistic analysis of performed language: revisiting and re-modeling Koch and Oesterreicher (2021)Black Noise: Rap Music and Black Culture in Contemporary America. 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(1991)Theories of social remembering (2003)‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock (2017)Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music’s past (2018)Sexual harassment and violence at Australian music festivals: Reporting practices and experiences of festival attendees (2020)Reflections: Essays, Aphorisms, Autobiographical Writings (1980)Adoring Audience: Fan Culture and Popular Media (1994)Performing Rites (1996)Violence and School Shootings (2012)Glamorizing rampage online: School shooting fan communities on YouTube (2014)Global Online Subculture Surrounding School Shootings (2018)Communities of practice learning, meaning, and identity (1999)Music in Everyday Life (2000)Vulnerability and agency in being and becoming a musician (2011)What is music education for? Understanding and fostering routes into lifelong musical engagement (2016)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Uses and Perceptions of Music in Times of COVID-19: A Spanish Population Survey (2021)Marxism and Literature (1978)Necropolitics (2003)The Cultural Politics of Emotion (2014)Out Online: Trans Self-Representation and Community Building on YouTube (2016)Digitized narratives of sexual violence: Making sexual violence felt and known through digital disclosures (2018)Sharenting: Pride, affect and the day‐to‐day politics of digital mothering (2019)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Marxism and Literature (1977)The New Grove dictionary of music and musicians (2001)Fields, Genres, Brands (2014)The critic’s voice: On the role and function of criticism of classical music recordings (2022)Nineteenth-Century Music Criticism (2024)
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  • 2009The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy157 cited
  • 2009“Heritage rock”: Rock music, representation and heritage discourse134 cited
  • 2012Introduction: Affective Fabrics of Digital Cultures107 cited
  • 2012Learning, teaching, and musical identity: voices across cultures86 cited
  • 2019The Cambridge History of Music Criticism85 cited
  • 2011Voice, place and genre in popular song performance185 cited
  • 2007Rap, Recidivism and the Creative Self: A Popular Music Programme for Young Offenders in Detention84 cited
  • 2011Soundtrack of the School Shootings71 cited
  • 2011Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture61 cited
  • 2019Writing about Popular Music53 cited
  • 2012Out of Bounds: Cultural Barriers to Female Sports Participation in Qatar38 cited
  • 2017Music Everywhere: Setting a Digital Music Trap35 cited
  • 2010Creative multilingualism in Hong Kong popular music32 cited
  • 2012Hip‐Hop as Urban and Regional Research: Encountering an Insider's Ethnography of City Life23 cited

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2010
Creative Networks and the City
22 cited
  • 2012Rocking the Culture Industry/Performing Breakdown: Pink Floyd'sThe Walland the Termination of the Postwar Era19 cited