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Cited by

• 2013Embodied leadership: The aesthetics of gesture46 cited
• 2016The Cambridge Companion to the Singer-Songwriter39 cited
• 2001Words and music in Germany and France15 cited
• 2016Gender, race, and the ma(s)king of ‘Joni Mitchell’14 cited
• 2016Musical gesture in the songs of Nick Drake14 cited
• 2015Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers12 cited
• 2016Music and the Agents of Obsession10 cited
• 2016Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)9 cited
• 2014Towards a Narratological Analysis of the Romantic Lied: Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music8 cited
• 2016The emergence of the singer-songwriter6 cited
• 2012How to Make a 'Volkslied': Early Models in the Songs of Johannes Brahms5 cited
• 2011A Score of Change: Twenty Years of Critical Musicology and Victorian Literature5 cited
• 2016The Brill Building and the creative labour of the professional songwriter4 cited
• 2016Singer-songwriters and fandom in the digital age4 cited