Stages: theatre and the politics of style in G reat E xpectations

David Kurnick

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Theatre and Performance Studies Literature and Culture Studies Migration, Policy, and Dickens Studies

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Critical QuarterlyVolume 55, Issue 1 p. 94-111 THE STATE, OR STATELESSNESS, OF VICTORIAN STUDIES Stages: theatre and the politics of style in Great Expectations David Kurnick, David KurnickSearch for more papers by this author David Kurnick, David KurnickSearch for more papers by this author First published: 11 April 2013 https://doi.org/10.1111/criq.12034Citations: 2Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinked InRedditWechat Citing Literature Volume55, Issue1Special Issue: Victorian StudiesApril 2013Pages 94-111 RelatedInformation

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2004The one vs. the many: minor characters and the space of the protagonist in the novel 2006The Ideas in Things 1970The Art of the Novel: Critical Prefaces 1982The Anti-Theatrical Prejudice 2004The Cambridge Companion to Victorian and Edwardian Theatre 1999OLIVER TWIST OR THE PARISH BOY'S PROGRESS 1984Realism and Consensus in the English Novel.2006Charles Dickens and His Performing Selves

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