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SOURCE CODE ANALYSIS AS TECHNICAL ART HISTORY
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SOURCE CODE ANALYSIS AS TECHNICAL ART HISTORY (2015)SOURCE CODE ANALYSIS AS TECHNICAL ART HIS…Reading between the lines: Source code documentation as a conservation strategy for software-based art (2014)Reading between the lines: So…Setting the Default to Reproducible Reproducibility in Computational and Experimental Mathematics (2013)Setting the Default to Reprod…Technical Art History: The Synergy of Art, Conservation and Science (2012)Technical Art History: The Sy…A Laboratory for Art: Harvard's Fogg Museum and the Emergence of Conservation in America, 1900-1950 (2010)A Laboratory for Art: Harvard…Processing: A Programming Handbook for Visual Designers and Artists (2007)Processing: A Programming Han…Preserving what is valued: museums, conservation, and First Nations (2002)Preserving what is valued: mu…Preserving What Is Valued: Museums, Conservation and First Nations (2002)Preserving What Is Valued: Mu…Reading Between the Lines (2004)New Media Art (2006)Exploring the Outlands : A Case-Study on the Conservation Installation and Artist Interview of David Haines’ and Joyce Hinterding’s Time-Based Art Installation (2021)Conservation of flash-based media art a case study of (2026)Crafting authenticity: An ethnography of conservation practice (2013)Heritage significance and the identification of attributes to preserve in a sustainable refurbishment (2019)Heritage policy meets community praxis: Widening conservation approaches in the traditional villages of central Greece (2020)Under pressure (2014)Biases in Generative Art (2021)Spellburst: A Node-based Interface for Exploratory Creative Coding with Natural Language Prompts (2023)Experiencing Authenticity at Heritage Sites: Some Implications for Heritage Management and Conservation (2009)Best practices for replicability, reproducibility and reusability of computer-based experiments exemplified by model reduction software (2016)A taxonomy for reproducible and replicable research in environmental modelling (2020)Learning from reproducing computational results: introducing three principles and the Reproduction Package (2021)Hiding, making, showing, creation: the studio from Turner to Tacita Dean (2014)The trace in the technique: Forensic science and the Connoisseur's gaze (2021)3D Printing and the Art World: Current Developments and Future Perspectives (2023)‘Same same but different?’: a roundtable discussion on the philosophies, methodologies, and practicalities of conserving cultural heritage in Asia (2012)Materials in the Field: Object-trajectories and Object-positions in the Field of Contemporary Art (2013)Technical Art History and the First Conference on the Scientific Analysis of Works of Art (Rome, 1930) (2017)
this work references cited by second hop

References

  • 2007Processing: A Programming Handbook for Visual Designers and Artists490 cited
  • 2002Preserving what is valued: museums, conservation, and First Nations156 cited
  • 2002Preserving What Is Valued: Museums, Conservation and First Nations116 cited
  • 2013Setting the Default to Reproducible Reproducibility in Computational and Experimental Mathematics60 cited
  • 2010A Laboratory for Art: Harvard's Fogg Museum and the Emergence of Conservation in America, 1900-195036 cited
  • 2012Technical Art History: The Synergy of Art, Conservation and Science26 cited
  • 2014Reading between the lines: Source code documentation as a conservation strategy for software-based art14 cited

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