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Introduction
16 references·0 citing·26 second hop
Introduction (2002)IntroductionAbsolute Music (1999)Absolute MusicGerman Music Criticism in the Late Eighteenth Century (1997)German Music Criticism in the…A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759) (1996)A philosophical enquiry into …The Theatres of War (1995)The Theatres of WarMusic and the Origins of Language (1995)Music and the Origins of Lang…Listening in Paris (1995)Listening in ParisBeethoven Hero (1995)Beethoven HeroKaunitz and Enlightened Absolutism 1753–1780 (1994)Kaunitz and Enlightened Absol…On Collective Memory (1992)On Collective MemoryWordless Rhetoric (1991)Wordless RhetoricHaydn's 'Farewell' Symphony and the Idea of Classical Style (1991)Haydn's 'Farewell' Symphony a…How Societies Remember (1989)How Societies RememberConcert life in Haydn's Vienna: aspects of a developing musical and social institution (1989)Concert life in Haydn's Vienn…Music in the Western World: A History in Documents (1984)Music in the Western World: A…Absorption and Theatricality (1980)Absorption and TheatricalityThe Oaten Flute (1975)The Oaten FluteThe Imaginary Museum of Musical Works (1994)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)Ritual and Its Consequences (2008)The psychology of curiosity: A review and reinterpretation. (1994)Guided by the dark: From thanatopsistothanatourism (1996)Towards a Theory of Securitization: Copenhagen and Beyond (2007)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Social Theory of International Politics (1999)9. The Generation Of Postmemory (2008)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The narrative constitution of identity: A relational and network approach (1994)Managerial and Organizational Cognition: Notes from a Trip Down Memory Lane (1995)Nine Revisionist Theses on the Picturesque (1992)Nationalisms and Sexualities (1993)Queer Performativity: Henry James's The Art of the Novel (1993)Performing the (Sound)World (2000)Doing anthropology in sound (2004)Soundscapes: Toward a Sounded Anthropology (2010)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)The End of Early Music (2007)Theorizing Musical Meaning (2001)German Philosophy 1760–1860 (2002)After Adorno (2003)Hugo Riemann and the Birth of Modern Musical Thought (2003)
this work references cited by second hop

References

  • 1989How Societies Remember6,079 cited
  • 1992On Collective Memory4,933 cited
  • 1996A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759)1,350 cited
  • 1995Listening in Paris628 cited
  • 1980Absorption and Theatricality610 cited
  • 1995Beethoven Hero402 cited
  • 1984Music in the Western World: A History in Documents283 cited
  • 1999Absolute Music256 cited
  • 1991Haydn's 'Farewell' Symphony and the Idea of Classical Style238 cited
  • 1991Wordless Rhetoric226 cited
  • 1995Music and the Origins of Language202 cited
  • 1975The Oaten Flute189 cited
  • 1997German Music Criticism in the Late Eighteenth Century179 cited
  • 1989Concert life in Haydn's Vienna: aspects of a developing musical and social institution171 cited
  • 1995The Theatres of War170 cited
  • 1994Kaunitz and Enlightened Absolutism 1753–1780137 cited

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