A Companion to the Victorian Novel

Abstract

Acknowledgments.The Contributors.Introduction.Reed Ueda (Tufts University).Introduction.Notes on Contributors.Part I: Historical Contexts and Cultural Issues:.1. The Publishing World: Kelly Mays.2. Education, Literacy, and the Victorian Reader: Jonathan Rose.3. Money, The Economy, and Social Classes: Regenia Gagnier.4. Victorian Psychology: Athena Vretttos.5. Empire, Race, and the Victorian Novel: Deirdre David.6. The Victorian Novel and Religion: Hilary Fraser.7. Scientific Ascendancy: John Kucich.8. Technology and Information: Accelerating Developments: Christopher Keep.9. Laws, The Legal World, and Politics: John Reed.10. Geneer, Politics, and Women's Rights: Hilary Schor.11. The Other Arts: Victorian Visual Culture: Jeffrey Spear.12. Imagined Audiences: The Novelist and the Stage: Reneta Kobetts-Miller.Part II: Forms of the Victorian Novel:.13. Newgate Novel to Detective Fiction: F.S. Scjhwarzbach.14. The Historical Novel: John Bowen.15. The Sensation Novel: Winifred Hughes.16. The Bildungsroman: John R. Maynard.17. The Gothic Romance in the Victorian Period: Cannon Schmitt.18. The Provencial or Regional Novel: Ian Duncan.19. Industrial and 'Condition-of-England's Novels: James Richard Simmons.20. Children's Fiction: Lewis Roberts.21. Victorian Science Fiction: Patrick Brantlinger.Part III: Victorian and Modern Theories of the Novel and the Reception of Novels and Novelists Then and Now:.22. The Receptions of Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy: Elizabeth Langland.23. Victorian Theories of the Novel: Joseph Childers.24. Modern and Postmodern Theories of Prose Fiction: Audrey Jaffe.25. The Afterlife of the Victorian Novel: Novels about Novels: Anne Humpherys.26. The Victorian Novel in Film and Television: Jocelyn Marsh.Index.

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