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GC/MS in the Characterisation of Protein Paint Binders
16 references·0 citing·34 second hop
GC/MS in the Characterisation of Protein Paint Binders (2009)GC/MS in the Characterisation of Protein …The identification of copper oxalates in a 16th century Cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and Gas Chromatography-Mass Spectrometry (2008)The identification of copper …The binding media of the polychromy of Qin Shihuang's Terracotta Army (2008)The binding media of the poly…GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences (2007)GC–MS identification of prote…Conservation of Historic Buildings (2007)Conservation of Historic Buil…Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Combined GC/MS Analytical Pro…Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Characterisation of proteinac…Molecular Pattern Recognition of Fresh and Aged Shellac (2003)Molecular Pattern Recognition…The Use of Small‐Angle X‐Ray Diffraction Studies for the Analysis of Structural Features in Archaeological Samples (2001)The Use of Small‐Angle X‐Ray …Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)Two procedures for suppressin…Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Characterisation of proteinac…Chemometrics and cultural heritage (1998)Chemometrics and cultural her…Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry (1998)Characterisation of standard …Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Gas chromatographic-mass spec…The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)The potential of pyrolysis—ga…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Ageing and Deterioration of Proteinaceous Media (1981)Ageing and Deterioration of P…National Gallery Technical Bulletin (1979)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Immunodetection of Proteins in Ancient Paint Media (2010)Painting Materials: A Short Encyclopedia (2011)Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts (2001)Border Cave and the beginning of the Later Stone Age in South Africa (2012)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Characterisation of wax works of art by gas chromatographic procedures (2005)Organic Chemistry of Museum Objects (2012)The Gas Chromatographic Examination of Paint Media. 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Fatty Acid Composition and Identification of Dried Oil Films (1966)Classification and identification of organic binding media in artworks by means of Fourier transform infrared spectroscopy and principal component analysis (2011)Cleaning painted surfaces: evaluation of leaching phenomenon induced by solvents applied for the removal of gel residues (2014)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)The Use of FTIR and Micro-FTIR Spectroscopy: An Example of Application to Cultural Heritage (2009)Pigments—copper-based greens and blues (2021)Archaeological wood characterisation by PY/GC/MS, GC/MS, NMR and GPC techniques (2006)Py‐GC/MS of Organic Paint Binders (2009)The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry (2017)Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry (2002)Characterization of Natural Resin Films and Identification of Ancient Coating (2003)A comparison study of alkyd resin used in art works by Py-GC/MS and GC/MS: The influence of aging (2013)Intact growth factors are conserved in the extracellular matrix of ancient human bone and teeth: a storehouse for the study of human evolution in health and disease (2005)A Bicycle Made for Two? The Integration of Scientific Techniques into Archaeological Interpretation (2007)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Heritage values of ancient vernacular residences in traditional villages in Western Hunan, China: Spatial patterns and influencing factors (2020)The semantic conservation of architectural heritage: the missing values (2020)Research frameworks, methodologies, and assessment methods concerning the adaptive reuse of architectural heritage: a review (2021)
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References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2007Conservation of Historic Buildings237 cited
  • 2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
  • 1999Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry127 cited
  • 2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
  • 2008The identification of copper oxalates in a 16th century Cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and Gas Chromatography-Mass Spectrometry103 cited
  • 2001The Use of Small‐Angle X‐Ray Diffraction Studies for the Analysis of Structural Features in Archaeological Samples86 cited
  • 1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
  • 1993The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media81 cited
  • 2003Molecular Pattern Recognition of Fresh and Aged Shellac79 cited
  • 1981Ageing and Deterioration of Proteinaceous Media77 cited
  • 1999Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings73 cited
  • 2008The binding media of the polychromy of Qin Shihuang's Terracotta Army

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72 cited
  • 2007GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences70 cited
  • 1998Chemometrics and cultural heritage59 cited
  • 1998Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry59 cited
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