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Twice Born: The Origins of the Foundation Assisting Canadian Talent on Recordings (FACTOR), 1982-86
9 references·0 citing·27 second hop
Twice Born: The Origins of the Foundation Assisting Canadian Talent on Recordings (FACTOR), 1982-86 (2008)Twice Born: The Origins of the Foundation…Gifts of the Muse: Reframing the Debate About the Benefits of the Arts (2004)Gifts of the Muse: Reframing …The popular music industry (2001)The popular music industryCambridge Companion to Pop and Rock (2001)Cambridge Companion to Pop an…In and Around Canadian Music (2000)In and Around Canadian MusicFear and Loathing on the Granting Trail: Canadian Art Versus Canadian Bureaucracy (2000)Fear and Loathing on the Gran…The Cultural Industries in Canada: Problems, Policies and Prospects (1997)The Cultural Industries in Ca…Beyond policy analysis: Public issue management in turbulent times (1997)Beyond policy analysis: Publi…Missed Opportunities: The Story of Canada's Broadcasting Policy (1991)Missed Opportunities: The Sto…“Across the Great Divide”: Imitation and Inflection in Canadian Rock Music (1986)“Across the Great Divide”: Im…The Strength of Weak Ties (1973)The theory of planned behavior (1991)Bowling alone: the collapse and revival of American community (2000)COMMODIFICATION AND INSTRUMENTALITY IN CULTURAL POLICY (2007)Understanding Arts-Based Methods in Managerial Development (2009)The Impact of Culture on Creativity (2014)What is ‘Popular Music’? (1983)Noise... The Political Economy of Music (1988)Listening in Paris: A Cultural History. (1995)How Canadians Communicate IV: Media and Politics (2012)Networks and place in Montreal's independent music industry (2012)Precarious creativity: immigrant cultural workers (2012)The Sound of the City (1971)The Sociology of Rock (1979)Rock and Sexuality (2017)News Translation and Cultural Resistance (2010)When Tradition meets Immediacy and Interaction. The Integration of Social Media in Journalists’ Everyday Practices (2015)Transnational over-the-top media distribution as a business and policy disruptor: The case of Netflix in Canada (2017)Magazines, Cultural Policy and Globalization: The Forced Retreat of the State? (2000)The “Neoliberal Turn” in Provincial Cultural Policy and Administration in Québec and Ontario: The Emergence of ‘Quasi-Neoliberal’ Approaches (2010)Settler colonialism and cultural policy: the colonial foundations and refoundations of Canadian cultural policy (2015)‘A Special Kind of City Knowledge’: Innovative Clusters, Tacit Knowledge and the ‘Creative City’ (2004)Superstardom in the US popular music industry revisited (2006)The internet and value co-creation: the case of the popular music industry (2013)Networks, Conflict and Collaborative Communities (2006)Playing it forward: Path dependency, progressive incrementalism, and the "Super Wicked" problem of global climate change (2009)Evaluation Theory and Practice: Comparing Program Evaluation and Evaluation in Planning (2016)
this work references cited by second hop

References

  • 2004Gifts of the Muse: Reframing the Debate About the Benefits of the Arts453 cited
  • 1997Beyond policy analysis: Public issue management in turbulent times443 cited
  • 1991Missed Opportunities: The Story of Canada's Broadcasting Policy112 cited
  • 2001The popular music industry95 cited
  • 1997The Cultural Industries in Canada: Problems, Policies and Prospects50 cited
  • 2000In and Around Canadian Music27 cited
  • 1986“Across the Great Divide”: Imitation and Inflection in Canadian Rock Music6 cited
  • 2000Fear and Loathing on the Granting Trail: Canadian Art Versus Canadian Bureaucracy6 cited
  • 2001Cambridge Companion to Pop and Rock5 cited

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