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Stranger Than Paradise: Maverick Film-Makers in Recent American Cinema
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Stranger Than Paradise: Maverick Film-Makers in Recent American Cinema (1998)Stranger Than Paradise: Maverick Film-Mak…US "Indie-Horror": Critical Reception, Genre Construction, and Suspect Hybridity (2012)US "Indie-Horror": Critical R…Indie, inc.: Miramax and the transformation of Hollywood in the 1990s (2012)Indie, inc.: Miramax and the …Bach and Cigarettes: Imagining the Everyday in Jarmusch'sInt. Trailer. Night (2010)Bach and Cigarettes: Imaginin…Shared Pleasures: A History of Movie Presentation in the United States. (1993)Sure seaters: the emergence of art house cinema (2001)Multidivisional Strategy and Investment Returns (2013)‘Indie doc’: documentary film and American ‘independent’, ‘indie’ and ‘indiewood’ filmmaking (2016)The Culture Industry: Enlightenment as Mass Deception (2017)The Practice of Everyday Life (1988)Questions of Cultural Identity (1997)5. The Practice of Everyday Life (2000)'What Never Was Has Ended': Bach, Bergman, and the Beatles in Christopher Munch's 'the Hours and Times' (2013)Sights, sounds and images: catching the metropolis in/at work(s) (2017)Film Bodies: Gender, Genre, and Excess (1991)Narration in the Fiction Film (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)
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  • 2012Indie, inc.: Miramax and the transformation of Hollywood in the 1990s51 cited
  • 2012US "Indie-Horror": Critical Reception, Genre Construction, and Suspect Hybridity5 cited
  • 2010Bach and Cigarettes: Imagining the Everyday in Jarmusch'sInt. Trailer. Night5 cited

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