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Cited by

• 2009The Handbook of Journalism Studies1,867 cited
• 2016Communication to a New Public? Three Reasons Why EU Copyright Law Can Do Without a “New Public”56 cited
• 2022Compliance of National TDM Rules with International Copyright Law: An Overrated Nonissue?50 cited
• 2016The monkey selfie: copyright lessons for originality in photographs and internet jurisdiction45 cited
• 2019Copyright and the Court of Justice of the European Union37 cited
• 2015The Digitisation of Cultural Heritage: Originality, Derivative Works and (Non) Original Photographs35 cited
• 2004Selective Enforcement of Copyright as an Optimal Monopolistic Behavior27 cited
• 2016Trade, Intellectual Property Rights, and the World Trade Organization25 cited
• 2016The Harmonisation of EU Copyright Law: The Originality Standard25 cited
• 2016Courts without Borders: Law, Politics, and US Extraterritoriality24 cited
• 2019Paintings from Photographs: A Copyright Conundrum23 cited
• 2016Implementation of Directive 2014/26/EU on Collective Management and Multi-Territorial Licensing of Musical Rights in Regulating the Tariff-Setting Systems in Central and Eastern Europe21 cited
• 2015Is there a case for non-discrimination in the international protection of intellectual property?18 cited