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Cited by

• 2006Beggar at the Door: The Rise and Fall of Portamento in Singing59 cited
• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2012A History of Singing33 cited
• 2020How to Read a Rondeau: On Pleasure, Analysis, and the Desultory in Amateur Performance Practice of the Eighteenth Century17 cited
• 2008Denaturing the Castrato13 cited
• 2012The performer and the composer10 cited
• 1998Rejected Traditions: Ensemble Placement in Nineteenth-Century Paris8 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2018The Cambridge Encyclopedia of Brass Instruments5 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2012Vocal performance in the Renaissance3 cited
• 2012The teaching of performance2 cited