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Freedom Sounds: Civil Rights Call out to Jazz and Africa
0 references·16 citing·46 second hop
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  • 2014Learning From the Experts67 cited
  • 2017Improvisation and Social Aesthetics60 cited
  • 2012“Don’t Let Me Be Misunderstood”: Nina Simone’s Theater of Invisibility46 cited
  • 2018Enigmas of the Third Space: Mingus and Varèse at Greenwich House, 195733 cited
  • 2016Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach32 cited
  • 2014Storytelling in jazz improvisation: Implications of a rich intermedial metaphor32 cited
  • 2018Restless Itineraries27 cited
  • 2008Free Jazz and the French Critic26 cited
  • 2016We Shall Not Be Moved/No nos moverán24 cited
  • 2016Rethinking Interaction in Jazz Improvisation21 cited
  • 2020Ask the Experts21 cited
  • 2013The Tomorrow's Warriors Jam Sessions: Repertoires of Transmission and Hospitality19 cited
  • 2012Stefan Wolpe and the Avant-Garde Diaspora18 cited
  • 2016The Ambassadorial LPs of Dizzy Gillespie:World StatesmanandDizzy in Greece16 cited
  • 2020Improvisation and Value in Rock, 196615 cited

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2015
Transatlanticism as Dutch National Spectacle: Universalism and Postpolitics at the North Sea Jazz Festival
14 cited