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The big payback: the history of the business of hip-hop
0 references·16 citing·45 second hopsampled
The big payback: the history of the business of hip-hop (2011)The big payback: the history of the busin…“Check Out the Hook While My DJ Revolves It” (2018)“Check Out the Hook While My …Medium and Message: Globalization and innovation in the production field of Indian fashion (2016)Medium and Message: Globaliza…Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods (2016)Mainstreaming French rap musi…From record selling to cultural entrepreneurship: the music economy in the digital paradigm shift (2016)From record selling to cultur…The musical analysis of hip-hop (2015)The musical analysis of hip-h…The fifth element: knowledge (2015)The fifth element: knowledgeThe Cambridge Companion to Hip-Hop (2015)The Cambridge Companion to Hi…MC origins: rap and spoken word poetry (2015)MC origins: rap and spoken wo…Lyrics and flow in rap music (2015)Lyrics and flow in rap musicIntertextuality, sampling, and copyright (2015)Intertextuality, sampling, an…Hip-hop dance (2015)Hip-hop danceHip-hop and racial identification: an (auto)ethnographic perspective (2015)Hip-hop and racial identifica…Hip hop and nueva canción as decolonial pedagogies of epistemic justice (2015)Hip hop and nueva canción as …Gangs and gangsta rap in Chicago: A microscenes perspective (2013)Gangs and gangsta rap in Chic…Affect, Black Rage, and False Alternatives in the Hip-Hop Nation (2013)Affect, Black Rage, and False…The Spirit of Rapitalism: Artistic Labor Practices in Chicago's Hip-Hop Underground (2011)The Spirit of Rapitalism: Art…Club cultures: music, media and subcultural capital (1996)Can't Stop Won't Stop: A History of the Hip-Hop Generation (2005)‘Going viral’ and ‘Going country’: the expressive and instrumental activities of street gangs on social media (2016)Broadcasting Badness: Violence, Identity, and Performance in the Online Gang Rap Scene (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Precarious Life: The Powers of Mourning and Violence (2004)The Cultural Politics of Emotion (2013)The Cultural Politics of Emotion (2014)“I Think of Him as an Ancestor”: Tupac Shakur Fans and the Intimacy of Pop Cultural Heritage (2018)‘More powerful than politics’: Affective magic in the DIY musical activism after Egypt's 2011 Revolution (2019)Interpretation, resonance, embodiment: affect theory and ethnomusicology (2020)Media Discourse and Public Opinion on Nuclear Power: A Constructionist Approach (1989)Discourse and Social Change. (1993)The Field of Cultural Production: Essays on Art and Literature (1996)Cultural industries in international business research: Progress and prospect (2020)Configurations of Craft: Alternative Models for Organizing Work (2021)Atypicality: Toward an Integrative Framework in Organizational and Market Settings (2023)Economic Action and Social Structure: The Problem of Embeddedness (1985)Modernity at Large: Cultural Dimensions of Globalization. (1998)Funky Days Are (Not) Back Again: Cool Britannia and the Rise and Fall of British South Asian Cultural Production (2019)Légitimité et authenticité du hip-hop : rapports sociaux, espaces et temporalités de musiques en recomposition (2020)Mesurer les processus d’(il)légitimation des musiques hip-hop en France (2020)The Truly Disadvantaged: The Inner City, The Underclass, and Public Policy. (1988)Black looks: race and representation (1992)The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2011)The Death of Dissent and the Decline of Dissin’: A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap (2017)Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene (2019)Black Communities’ Relationship to Hip-Hop Culture, Self-Efficacy and Critical Consciousness (2025)The Black Atlantic: Modernity and Double Consciousness (1994)Flow (2019)Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop (2020)Segmentation, Phrasing, and Meter in Hip-Hop Music (2021)Take today; the executive as dropout (1972)Appetite for self-destruction: the spectacular crash of the record industry in the digital age (2010)Crowdfunding of Small Entrepreneurial Ventures (2010)Assessing Music Streaming and Industry Disruptions (2017)Crowdfunding in the Cultural Industries (2020)Mirroring the inequalities of mainstream music platforms: popularity, revenue, and monetization strategies on Bandcamp (2024)Sampling in der Musikproduktion (2020)Saturation Season: Inclusivity, Queerness, and Aesthetics in the New Media Practices of Brockhampton (2021)Original Pirate Material (2024)Good things come in threes: triplet flow in recent hip-hop music (2019)Violence, Sexuality and Youth Linguistic Behaviour: An Exploration of Contemporary Nigerian Youth Music (2020)Keepin’ It Real (Respectable) in 2008: Barack Obama's Music Strategy and the Formation of Presidential Identity (2016)The sampling continuum: musical aesthetics and ethics in the age of digital production (2017)
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  • 2013Gangs and gangsta rap in Chicago: A microscenes perspective78 cited
  • 2015The Cambridge Companion to Hip-Hop71 cited
  • 2015Lyrics and flow in rap music58 cited
  • 2015The musical analysis of hip-hop58 cited
  • 2015The fifth element: knowledge56 cited
  • 2015Intertextuality, sampling, and copyright44 cited
  • 2016Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods39 cited
  • 2016From record selling to cultural entrepreneurship: the music economy in the digital paradigm shift38 cited
  • 2016Medium and Message: Globalization and innovation in the production field of Indian fashion29 cited
  • 2013Affect, Black Rage, and False Alternatives in the Hip-Hop Nation29 cited
  • 2011The Spirit of Rapitalism: Artistic Labor Practices in Chicago's Hip-Hop Underground28 cited
  • 2015Hip-hop dance24 cited
  • 2015MC origins: rap and spoken word poetry23 cited
  • 2018“Check Out the Hook While My DJ Revolves It”22 cited
  • 2015Hip-hop and racial identification: an (auto)ethnographic perspective21 cited

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  • 2015Hip hop and nueva canción as decolonial pedagogies of epistemic justice20 cited