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Why Music and Performance Studies? Why Now?: An Introduction to the Special Issue
16 references·4 citing·37 second hop
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References

  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 1975How To Do Things With Words21,513 cited
  • 1986The Anthropology of Performance2,586 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 1971Musical Form and Musical Performance174 cited
  • 2004Professing performance: theatre in the academy from philology to performativity174 cited
  • 2009Uneven Encounters: Making Race and Nation in Brazil and the United States153 cited
  • 2006Audiotopia: music, race, and America145 cited
  • 2003Playing with history: the historical approach to musical performance119 cited
  • 1998Samba: Resistance in Motion, by Barbara Browning. From the series Arts and Politics of the Everyday. Bloomington, Indiana: Indiana University Press, 1995. xxvi + 183 pp., photographs, notes, bibliography, index. $29.95 clothbound; $14.95 paperbound.114 cited
  • 1999The historical performance of music: an introduction88 cited
  • 1999In the Course of Performance: Studies in the World of Musical Improvisation86 cited
  • 1995Authenticities: philosophical reflections on musical performance86 cited
  • 2002Musical Performance: A Guide to Understanding78 cited
  • 1982Baroque Music: Style and Performance. A Handbook

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69 cited
  • 2004Performing EthnomusicologyTeaching and Representation in World Music Ensembles68 cited
  • Cited by

    • 2019Beethoven 180636 cited
    • 2019Remapping the Voice Through Transgender- Hījṛā Performance23 cited
    • 2011Studying U.S. Music in the Twenty-First Century20 cited
    • 2017¿Acción, puesta en escena, evento o construcción audiovisual? Una breve introducción al concepto de performance en humanidades y en música.4 cited