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Eisenstein in America: The Que Viva Mexico! Debates and the Emergent Popular Front in U.S. Film Theory and Criticism
8 references·0 citing·19 second hop
Eisenstein in America: The Que Viva Mexico! Debates and the Emergent Popular Front in U.S. Film Theory and Criticism (2004)Eisenstein in America: The Que Viva Mexic…The Eisenstein Reader (1998)The Eisenstein ReaderEisenstein, Cinema, and History (1994)Eisenstein, Cinema, and Histo…The Cultural Front (1992)The Cultural FrontCinema and History (1988)Cinema and HistoryCinema strikes back : radical filmmaking in the United States, 1930-1942 (1982)Cinema strikes back : radical…Film on the Left: American Documentary Film From 1931 to 1942 (1981)Film on the Left: American Do…Film theory and criticism (1979)Film theory and criticismSergei Eisenstein and Upton Sinclair: the making & unmaking of Que viva Mexico! (1970)Sergei Eisenstein and Upton S…Fat man and little boy: The cinematic representation of interests in the nuclear weapons organization (1993)The Afterlife of Art and Objects: Alain Cavalier's "Therese" (2004)Enzyklopädie jüdischer Geschichte und Kultur (2011)Popular culture and professional identity: Accountants in the movies (1994)Audiovisual Translation: Subtitling for the Deaf and Hard-of-Hearing (2006)Methodology of the Oppressed (2010)Seeing through¡Que viva México!: Eisenstein's Travels in Mexico (2006)American Kitchens, Luxury Bathrooms, and the Search for a 'Normal' Life in Postsocialist Hungary (2002)Cultural Trauma: Slavery and the Formation of African American Identity (2004)ROSE-COLORED GLASSES? Color Revolutions and Cartoon Chaos in Postsocialist Georgia (2007)Enslaving Central Executives: Toward A Brain Theory of Cinema (2008)Neither here nor there: synaesthesia and the cosmic zoom (2009)Review Essay: What'sVisualabout “Visual Rhetoric”? (2009)The Production of Outrage: The Iraq War and the Radical Documentary Tradition (2007)Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films (2008)Carl Marzani and Union Films: Making Left-Wing Documentaries during the Cold War, 1946–53 (2009)American Identities: Nationalism, the Media, and the Public Sphere (1992)Are wildlife films really “nature documentaries”? (1998)Documentary Screens: Non-Fiction Film and Television (2004)
this work references cited by second hop

References

  • 1992The Cultural Front432 cited
  • 1979Film theory and criticism230 cited
  • 1998The Eisenstein Reader81 cited
  • 1988Cinema and History67 cited
  • 1981Film on the Left: American Documentary Film From 1931 to 194258 cited
  • 1982Cinema strikes back : radical filmmaking in the United States, 1930-194257 cited
  • 1994Eisenstein, Cinema, and History23 cited
  • 1970Sergei Eisenstein and Upton Sinclair: the making & unmaking of Que viva Mexico!14 cited

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