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Cited by

• 1992The eyes of the storm: Gender, genre and cross‐casting inMiss Saigon56 cited
• 2004Cervantes in Algiers: A Captive's Tale47 cited
• 2007Du corps au théâtre au théâtre-corps17 cited
• 2014“Oh My God, Audience Participation!”: Some Twenty-First-Century Reflections12 cited
• 2014Home on the Stage: Domestic Spaces in Modern Drama10 cited
• 1984Is the stage-audience relationship a form of dialogue?9 cited
• 2002(Re-)Creating the Critique: In(tro)ducing the Semiotics of Theatre in the Foreign-language Performance Project9 cited
• 1987Sam Shepard: Theatrical Power and American Dreams9 cited
• 1995Reading Maryse Conde's Theatre8 cited
• 1984The verbal zero-sign in theatre8 cited
• 1982Didascalies as Speech Act8 cited
• 1983Experimental Theatre and Semiology of Theatre: The Theatricalization of Voice7 cited