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New Documentary: A Critical Introduction
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  • 2009The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television201 cited
  • 2012Interactive documentary: setting the field150 cited
  • 2013The Living Documentary: from representing reality to co-creating reality in digital interactive documentary132 cited
  • 2005Postmemory Cinema and the Future of the past in Albertina Carri'sLos Rubios102 cited
  • 2012The cinema of me: the self and subjectivity in first person documentary84 cited
  • 2004Documentary Screens: Non-Fiction Film and Television80 cited
  • 2012Documentary’s metamorphic form: Webdoc, interactive, transmedia, participatory and beyond76 cited
  • 2009Rethinking observational cinema73 cited
  • 2009Filming Loss67 cited
  • 2020It has never been “normal”: queer pop in post-2000 China49 cited
  • 2011THE BELLWETHER EWE: Recent Developments in Ethnographic Filmmaking and the Aesthetics of Anthropological Inquiry46 cited
  • 2009Transit, Transition: Excavating J641 VUJ45 cited
  • 2012The Archive Effect: Archival Footage as an Experience of Reception41 cited
  • 2007The Production of Outrage: The Iraq War and the Radical Documentary Tradition33 cited

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  • 2009Professional Ideology and Program Conventions: Documentary Development in Independent British Television Production32 cited
  • 2011Tough Girls in a Rough Game31 cited