The Third Hand: Collaboration in Art from Conceptualism to Postmodernism

Abstract

Since the 1960s, a number of artists have challenged the image of the lone artist by embarking on long-term collaboration that dramatically altered the terms of artistic identity. In 'The Third Hand', Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. -- p. [4] of cover.

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