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The Opera Closet: Ardor, Shame, Queer Confessions
13 references·0 citing·28 second hop
The Opera Closet: Ardor, Shame, Queer Confessions (2015)The Opera Closet: Ardor, Shame, Queer Con…Intimacies (2008)IntimaciesNo Future: Queer Theory and the Death Drive (2004)No Future: Queer Theory and t…No Future (2004)No Future3. Aids and new queer cinema (2004)3. Aids and new queer cinemaTouching Feeling (2003)Touching FeelingThe Career of Cherubino, or the Trouser Role Grows Up (2001)The Career of Cherubino, or t…The Diva's Mouth: Body, Voice, Prima Donna Politics (1998)The Diva's Mouth: Body, Voice…Place for Us: Essay on the Broadway Musical (1998)Place for Us: Essay on the Br…Opera in the flesh: sexuality in operatic performance (1996)Opera in the flesh: sexuality…The opera queen: A voice from the closet (1994)The opera queen: A voice from…The queen's throat: opera, homosexuality, and the mystery of desire (1993)The queen's throat: opera, ho…Reading as an Opera Queen (1993)Reading as an Opera QueenThe Celluloid Closet : Homosexuality in the Movies (1991)The Celluloid Closet : Homose…The Context of Anti-Gay Violence (1990)Sexuality and Citizenship (1998)Toward a Theory of Anti-Oppressive Education (2000)Henry James and Queer Modernity (2003)Language and Sexuality (2003)Phonation type as a stylistic variable: The use of falsetto in constructing a persona1 (2007)Orientations (2006)The times we’re in: Queer feminist criticism and the reparative ‘turn’ (2014)The commons: Infrastructures for troubling times* (2016)Queer Kinship and Ambivalence (2009)Electric Feel (2013)Epidemics, public health workers, and ‘heroism’ in cinematic perspective (2021)The Metropolitan Opera in the American Century: Opera Singers, Europe, and Cultural Politics (2004)Diva Rivalry for Fun and Profit: An Examination of Diva [Mis-]Conceptions via the Rivalry of Maria Callas and Renata Tebaldi (2013)Sonic Performance and Feminist Posthumanities: Democracy of Resonance and Machinic Sounds (2018)Time, Narrative and History (2020)Intensities of feeling: towards a spatial politics of affect (2004)INVOKING AFFECT (2005)Affective solidarity: Feminist reflexivity and political transformation (2012)“Use Me But as Your Spaniel”: Feminism, Queer Theory, and Early Modern Sexualities (2012)Vulgar Boredom, or What Andy Warhol Can Teach Us about Candy Crush (2015)Feeling and Classical Philology (2020)Publics and counterpublics (abbreviated version) (2002)Publics and counterpublics (2003)The Oxford Handbook of The American Musical (2011)Popular Culture, Public and Private Fantasies: Femininity and Fetishism in David Cronenberg's "M. Butterfly" (1999)Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation (2004)Why Voice Now? (2015)
this work references cited by second hop

References

  • 2004No Future: Queer Theory and the Death Drive3,397 cited
  • 2004No Future2,543 cited
  • 2003Touching Feeling2,463 cited
  • 1991The Celluloid Closet : Homosexuality in the Movies860 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 2008Intimacies349 cited
  • 1998Place for Us: Essay on the Broadway Musical300 cited
  • 1996Opera in the flesh: sexuality in operatic performance69 cited
  • 20043. Aids and new queer cinema26 cited
  • 1998The Diva's Mouth: Body, Voice, Prima Donna Politics26 cited
  • 2001The Career of Cherubino, or the Trouser Role Grows Up24 cited
  • 1993Reading as an Opera Queen23 cited
  • 1994The opera queen: A voice from the closet11 cited

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