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How I made a hundred movies in Hollywood and never lost a dime
0 references·7 citing·18 second hop
How I made a hundred movies in Hollywood and never lost a dime (1990)How I made a hundred movies in Hollywood …No Parents, No Church, No Authorities in Our Films: Exploitation Movies, the Youth Audience, and Roger Corman’s Counterculture Trilogy (2015)No Parents, No Church, No Aut…The films of Samuel Fuller: if you die, I'll kill you! (2008)The films of Samuel Fuller: i…Fitness determinants in creative industries: A longitudinal study on the Hollywood film-making industry, 1992–2003 (2007)Fitness determinants in creat…The Last great American picture show: new Hollywood cinema in the 1970s (2004)The Last great American pictu…The Last Great American Picture Show (2004)The Last Great American Pictu…The Last Great American Picture Show : New Hollywood Cinema in the 1970s (2004)The Last Great American Pictu…Sleazy Riders: Exploitation, “Otherness”, and Transgression in the 1960s Biker Movie (2003)Sleazy Riders: Exploitation, …Visual and Other Pleasures (1989)Male Subjectivity at the Margins (1993)Geographies of Desire: Postsocial Urban Space and Historical Revision in the Films of Martin Scorsese (2010)New Hollywood in the Rust Belt: Urban Decline and Downtown Renaissance in The King of Marvin Gardens and Rocky (2015)The Presentation of Self in Everyday Life (2023)Subversive pleasures: Bakhtin, cultural criticism, and film (1990)“Bold! Daring! Shocking! True!” (1999)Rabelais and his world (2020)Theories of authorship: A reader (1981)Max Ophuls in the Hollywood studios (1997)Melodrama and modernity: early sensational cinema and its contexts (2001)Exploration and Exploitation in Organizational Learning (1991)The Knowledge-Creating Company (1995)Toward a knowledge‐based theory of the firm (1996)Understanding popular culture (1990)Hollywood from Vietnam to Reagan (1986)The Sixties: Years of Hope, Days of Rage (1989)Avoiding the (tourist) gaze: pursuit of the ‘authentic’ in the Tbilisi edgelands (2021)
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  • 2004The Last great American picture show: new Hollywood cinema in the 1970s52 cited
  • 2004The Last Great American Picture Show : New Hollywood Cinema in the 1970s31 cited
  • 2003Sleazy Riders: Exploitation, “Otherness”, and Transgression in the 1960s Biker Movie15 cited
  • 2007Fitness determinants in creative industries: A longitudinal study on the Hollywood film-making industry, 1992–20038 cited
  • 2015No Parents, No Church, No Authorities in Our Films: Exploitation Movies, the Youth Audience, and Roger Corman’s Counterculture Trilogy8 cited
  • 2008The films of Samuel Fuller: if you die, I'll kill you!7 cited
  • 2004The Last Great American Picture Show6 cited

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