Debussy in Proportion: A Musical Analysis

Roy Howat

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Musicology and Musical Analysis Music Technology and Sound Studies Literature, Musicology, and Cultural Analysis

Abstract

Preface Part I. Exposition: 1. Proportional structure and the Golden Section 2. Analytical aims and methods 3. 'Reflets dans l'eau' Part II. Earlier Developments: 4. Early works - up to 1892 5. L'isle joyeuse Part III. La Mer: 6. Introduction 7. 'De l'aube ... midi sur la mer' 8. 'Dialogue du vent et de la mer' 9. 'Jeux de vagues' Part IV. Other Evidence: 10. Brief studies of other works 11. External evidence Appendices Bibliography Index.

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2013Composing Individuals: Ethnographic Reflections on Success and Prestige in the British New Music Network 1995The Golden Section and the Piano Sonatas of Mozart 2008Musical Symbolism in the Operas of Debussy and Bartok 2019Climax as Orgasm: On Debussy’s ‘L’isle Joyeuse’2021Reverie, Schmaltz, and the Modernist Imagination 2005The ‘Problem’ of Schubert's String Quintet 1987Tonal, Formal, and Proportional Design in Hindemith's Music

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