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The Immediate Experience: Movies, Comics, Theatre, and Other Aspects of Popular Culture
0 references·16 citing·38 second hop
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  • 2014Ethnographic Imagination62 cited
  • 1999Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil53 cited
  • 2012A Country for Old Men: Unforgiven, The Shootist , and the Post-Heyday Western41 cited
  • 2008Transfigurations : Violence, Death and Masculinity in American Cinema40 cited
  • 2006The Interwar Family and American Jewish Identity in Clifford Odets'sAwake and Sing!36 cited
  • 2008Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films27 cited
  • 2017Readings and Experiences of Multimodality25 cited
  • 2008When Frankie went to Hollywood: Frank Sinatra and American male identity21 cited
  • 2006American Studies and Film, Blindness and Insight20 cited
  • 2008Cultural policy and the meaning of modern and post‐modern taste, with concluding remarks on the case of Sweden14 cited
  • 2008Ragtime, Kavalier & Clay , and the Framing of Comics14 cited
  • 2007Reconstructing American historical cinema: from Cimarron to Citizen Kane13 cited
  • 2018Genre, Authorship and Contemporary Women Filmmakers12 cited
  • 2005Public Enemies, Local Heroes: The Irish-American Gangster Film in Classic Hollywood Cinema8 cited

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  • 2020Romantic comedy and the virtues of predictability7 cited
  • 2009Neo-liberalism and the Western: HBO's Deadwood as National Allegory7 cited