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Cited by

• 2012Music and 'Weltanschauung': Franz Brendel and the Claims of Universal History58 cited
• 2013Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography57 cited
• 1988Traditional Music and Cultural Identity: Persistent Paradigm in the History of Ethnomusicology54 cited
• 2002Thematic and motivic analysis34 cited
• 1991Fétis's "Tonality" as a Metaphysical Principle: Hypothesis for a New Science31 cited
• 2009Music of the Americas and Historical Narratives20 cited
• 2009From great man to fittest survivor: Reputation, recapitulation and survival in Victorian concepts of Wagner's genius16 cited
• 2013Carl Philipp Emanuel Bach, Portraits, and the Physiognomy of Music History14 cited
• 2013Afterword: a worldly musicology?7 cited
• 2013'The glory of having a national music': A Translation of and Critical Commentary on the First Two Sections of Jose Subira's 'La tonadilla escenica: Sus obras y sus autores' (1933)4 cited
• 1986Music Models Through Ages: A Semiotic Interpretation4 cited
• 1973Spencer to Hood: A Changing View of Non-European Music4 cited
• 2004Génesis de los estudios sobre música colonial hispanoamericana: un esbozo historiográfico3 cited
• 1998