Now a major motion picture: film adaptations of literature and drama

Unknown author

2008-04-01otherChoice Reviews Online139 citationsclosed

No readable copy stored yet — this record is metadata only.

Shakespeare, Adaptation, and Literary Criticism Cinema History and Criticism Literature, Film, and Journalism Analysis

Abstract

Chapter 1 Introduction Chapter 2 1 Narrative and Characterisation in Classic Adaptations: David Copperfield, Oliver Twist, and Pride and Prejudice Chapter 3 2 Art Cinema, Authorship, and the Impossible Novel: Adaptations of Proust, Woolf, and Joyce Chapter 4 3 Tennessee Williams on Film: Space, Melodrama, and Stardom Chapter 5 4 Feminism, Authorship, and Genre: Adaptations of the Novels of Edna Ferber and Pearl S Buck Chapter 6 5 Revising the Western: Movement and Description in The Last of the Mohicans(1992) and Brokeback Mountain Chapter 7 6 Space, Setting, and Mobility in Old New York: The Heiress, The House of Mirth, and Gangs of New York Chapter 8 Conclusion Chapter 9 Filmography Chapter 10 Bibliography

Citations in this library

Stored only when both papers are in the corpus — 139 citations exist upstream.

Cited by

2020Theorizing Adaptation

2015Flogging Fidelity: In Defense of the (Un)Dead Horse

2014Rhymin' and stealin': musical borrowing in hip-hop

2010Screenwriting as creative labour : pedagogies, practices and livelihoods in the new cultural economy

2023Aging as Adaptation