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Modern Art and Modernism: A Critical Anthology
0 references·14 citing·45 second hop
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  • 1999A reassessment of the alternative press71 cited
  • 2005Room 13 and the Contemporary Practice of Artist-Learners31 cited
  • 2007Engendering Abstraction: Wassily Kandinsky, Gret Palucca, and "Dance Curves"30 cited
  • 2009An evaluation of artistic influences on marketing theory and practice27 cited
  • 2009The Specter of Interdisciplinarity24 cited
  • 2010M. Robert‐Houdin goes to Algeria: spectatorship and panic in illusion and early cinema18 cited
  • 2013Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic14 cited
  • 2006Formalist Art Criticism and the Politics of Meaning12 cited
  • 2010Novelty and Revolution in Art and Science: The Connection between Kuhn and Cavell12 cited
  • 2017The Wipe: Sadie Benning’s Queer Abstraction11 cited
  • 1986When attitudes become form9 cited
  • 2018Art as document: on conceptual art and documentation7 cited
  • 1993The All-Over Image: Meaning in Abstract Art7 cited
  • 2015Olivetti and the Missing Third: Fashion, Working Women and Images of the Mechanical-flâneusein the 1920s and 1930s2 cited

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