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Cited by

• 2024Concerning the Spiritual in Art175 cited
• 2003Reflections on Victorian Fashion Plates41 cited
• 2007Esquisse d'une épistémologie de la théorisation féministe en art38 cited
• 2002Gender, Nation, and the Tourist Gaze in the European "Year of Revolutions": Kirkland's Holidays Abroad35 cited
• 1994“Resolve to be a great paintress”: Women artists in relation to John Ruskin as critic and patron26 cited
• 2010Charting cartographies of resistance: lines of flight in women artists’ narratives26 cited
• 1999Women and the music profession in Victorian England: The Royal Society of Female Musicians, 1839–186620 cited
• 1998Making It New: Visual Modernism and the “Myth of the North” in Interwar England19 cited
• 2007Du génie au talent : quel genre pour l'artiste ?19 cited
• 2020Victorian Art Criticism and the Woman Writer18 cited
• 1998Women and the Ends of Art History: Vision and Corporeality in Nineteenth-Century Critical Discourse15 cited
• 1996“Tha'lt Be like a Blush-Rose When Tha‘ Grows up, My Little Lass”: English Cultural and Gendered Identity in The Secret Garden14 cited
• 2012Fashioning the Artist: Artistic Dress in Victorian Britain 1848-19005 cited
• 1997Locality and Pleasure in Landscape: A Study of Three Nineteenth-Century Scottish Watercolourists