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Towards a Social Semiotic Approach of the Analysis of Emotion in Sound and Music
15 references·0 citing·27 second hop
Towards a Social Semiotic Approach of the Analysis of Emotion in Sound and Music (2011)Towards a Social Semiotic Approach of the…From refrain to rave: the decline of figure and the rise of ground 1 (2017)From refrain to rave: the dec…Performing Rites: On the Value of Popular Music (1998)Performing Rites: On the Valu…Performing rites: on the value of popular music (1997)Performing rites: on the valu…The Language of Displayed Art (1996)The Language of Displayed ArtReading images: the grammar of visual design (1996)Reading images: the grammar o…The language of displayed art (1994)The language of displayed artRunning with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Music, imagination, and culture (1991)Music, imagination, and cultu…Music, Imagination, and Culture (1990)Music, Imagination, and Cultu…Language of music (1986)Language of musicThe Tuning of the World (1983)The Tuning of the World‘Play it again Sam’: Some notes on the productivity of repetition in popular music (1983)‘Play it again Sam’: Some not…Discourse, Intonation and Language Teaching (1981)Discourse, Intonation and Lan…Discourse Intonation and Language Teaching (1981)Discourse Intonation and Lang…Language as social semiotic : the social interpretation of language and meaning (1978)Language as social semiotic :…Discourse Analysis as Theory and Method (2002)The Language of Evaluation: Appraisal in English (2005)Translanguaging as a Practical Theory of Language (2017)Exploring Learning Through Visual, Actional and Linguistic Communication: The multimodal environment of a science classroom (2001)Advances in Discourse Studies (2008)Key Terms in Systemic Functional Linguistics (2010)Genre as social action (1984)Manifesto for a Relational Sociology (1997)Focus, mode and the nucleus (1983)Primary Stress and Intelligibility: Research to Motivate the Teaching of Suprasegmentals (2004)Suprasegmental Measures of Accentedness and Judgments of Language Learner Proficiency in Oral English (2010)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Analysing popular music: theory, method and practice (1982)Pygmy POP. A Genealogy of Schizophonic Mimesis (1996)Senses of place: architectural design for the multisensory mind (2020)Developments and paradigms in intonation research (2001)Teaching intonation in discourse using speech visualization technology (2004)The intonation of accessibility (2006)Letramento metamidiático: transformando significados e mídias (2010)Multimodal Discourse Analysis (2012)Theorizing Musical Meaning (2001)Playing with History (2002)After Adorno (2003)
this work references cited by second hop

References

  • 1996Reading images: the grammar of visual design8,741 cited
  • 1978Language as social semiotic : the social interpretation of language and meaning5,795 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1983The Tuning of the World706 cited
  • 1994The language of displayed art350 cited
  • 1996The Language of Displayed Art348 cited
  • 1981Discourse Intonation and Language Teaching338 cited
  • 1990Music, Imagination, and Culture241 cited
  • 1981Discourse, Intonation and Language Teaching240 cited
  • 1991Music, imagination, and culture214 cited
  • 1998Performing Rites: On the Value of Popular Music212 cited
  • 1983‘Play it again Sam’: Some notes on the productivity of repetition in popular music71 cited
  • 2017From refrain to rave: the decline of figure and the rise of ground 124 cited
  • 1986Language of music14 cited

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