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Theory of the Film: Character and Growth of a New Art
0 references·16 citing·57 second hopsampled
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  • 2004Intensities of feeling: towards a spatial politics of affect1,922 cited
  • 2003The Close-Up: Scale and Detail in the Cinema288 cited
  • 2022Ecocinema Theory and Practice 2276 cited
  • 2020Theorizing Adaptation137 cited
  • 2010A philosophy of cinematic art137 cited
  • 1998Visual Aspects of Media Literacy124 cited
  • 2010Empathy and Identification in Cinema105 cited
  • 1990Celebrity and the Semiotics of Acting93 cited
  • 1984Inscribing ethical space: Ten propositions on death, representation, and documentary84 cited
  • 2004Andy Warhol’s Blow Job52 cited
  • 2011The Changing Poetics of the Dissolve in Hollywood Film49 cited
  • 2016The Cambridge Companion to Film Music43 cited
  • 2020Tactics of Interfacing40 cited
  • 2019Frame by Frame34 cited
  • 2015Aesthetic Technologies of Modernity, Subjectivity, and Nature31 cited
  • 2021Rewriting the stars: Surface tensions and gender troubles in the online media production of digital deepfakes

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31 cited