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• 2015Portable diffuse reflectance infrared Fourier transform (DRIFT) technique for the non-invasive identification of canvas ground: IR spectra reference collection53 cited
• 2011Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products42 cited
• 2022Response Surface Methodology - Research Advances and Applications41 cited
• 2010Application of photoacoustic infrared spectroscopy in the forensic analysis of artists’ inorganic pigments33 cited
• 2005British Watercolour Cakes from the Eighteenth to the Early Twentieth Century33 cited
• 2015On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop33 cited
• 2023The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review29 cited
• 2013Historical pigments characterisation by quantitative X-ray fluorescence28 cited
• 2008New insights on the glaze technique through reconstruction of old glaze medium formulations25 cited
• 2019Unveiling Harriet Backer: ICP–OES study for the characterisation of the colour tubes from her original paint box24 cited
• 2021On-site contactless surface analysis of modern paintings from Galleria Nazionale (Rome) by reflectance FTIR and Raman spectroscopies22 cited
• 2011TG–DSC analysis applied to contemporary oil paints