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Transcendental Style in Film: Ozu, Bresson, Dreyer
0 references·16 citing·37 second hop
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  • 1994Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit98 cited
  • 2019Sound Design is the New Score61 cited
  • 2022Engaging Characters42 cited
  • 2001Reigniting Japanese Tradition with Hana-Bi35 cited
  • 2015The archaeological study of the Bible34 cited
  • 2008Embodying transcendence: on the literal, the material, and the cinematic sublime34 cited
  • 2007Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang31 cited
  • 2021The Scottish Enlightenment28 cited
  • 2009Análise de Filmes - conceitos e metodologia(s)27 cited
  • 2015The New Cambridge History of the Bible24 cited
  • 2002The Face of Tragedy: From Theatrical Mask to Cinematic Close-up22 cited
  • 2007Time frames: Japanese cinema and the unfolding of history22 cited
  • 2022Engaging Characters18 cited
  • 2021The Scientific Revolution17 cited
  • 2015Liberationist readings of the Bible11 cited
  • 2005

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Phenomenology and Film: An Examination of a Religious Approach to Film Theory by Henri Agel and Amedee Ayfre
9 cited