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The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest
16 references·2 citing·37 second hop
The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest (2010)The New Navajo Cinema: Cinema and Nation …The Nation and Its Fragments (2020)The Nation and Its FragmentsWhy American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-ho (2008)Why American Studies Needs to…Palestinian cinema: landscape, trauma, and memory (2008)Palestinian cinema: landscape…Reading Nanook's Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner) (2007)Reading Nanook's Smile: Visua…Dreams of a nation : [on Palestinian cinema] (2006)Dreams of a nation : [on Pale…On Populist Reason (2005)On Populist ReasonCinema and Nation (2005)Cinema and NationCelluloid Indians: Native Americans and Film (2001)Celluloid Indians: Native Ame…An Accented Cinema : Exilic and Diasporic Filmmaking (2001)An Accented Cinema : Exilic a…Africans filming Africa: Questioning theories of an authentic African cinema (2000)Africans filming Africa: Ques…Indigenous aesthetics: Native art, media and identity (1999)Indigenous aesthetics: Native…The Concept of National Cinema (1989)The Concept of National Cinema“Speaking with Names”: Language and Landscape among the Western Apache (1988)“Speaking with Names”: Langua…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities. Reflect…Through Navajo Eyes: An Exploration in Film Communication and Anthropology (1972)Through Navajo Eyes: An Explo…Italian National Cinema 1896–1996 (1896)Italian National Cinema 1896–…Cinema, the Settler (2023)Cinema, the Settler"Reel Navajo": The Linguistic Creation of Indigenous Screen Memories (2011)"Reel Navajo": The Linguistic…Time and the Other: How Anthropology Makes Its Object (1983)Writing Culture: The Poetics and Politics of Ethnography (1986)Camera Lucida: Reflections on Photography (2001)SETTLEMENT'S SECRET (2011)Fourth VR: Indigenous virtual reality practice (2020)Sound Relations (2021)The Phenomenology of the Social World. (1968)Speech Acts (1969)Frame Analysis: An Essay on the Organization of Experience (1975)Empowering Place: Multilocality and Multivocality (1992)The Cultural Anthropology of Time: A Critical Essay (1992)Moving Bodies, Acting Selves (1999)The Ritual Process: Structure and Anti-Structure (1976)De-framing the Indigenous Body. Ethnography, Landscape and Cultural Belonging in the Art of Pia Arke (2012)KURDISH CINEMA AS A TRANSNATIONAL DISCOURSE GENRE: CINEMATIC VISIBILITY, CULTURAL RESILIENCE, AND POLITICAL AGENCY (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)The Cambridge Handbook of Intercultural Communication (2020)Autodriving: A Photoelicitation Technique (1991)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)Photovoice: Concept, Methodology, and Use for Participatory Needs Assessment (1997)Apocalypse Forever? (2010)Rethinking Populism: Politics, Mediatisation and Political Style (2013)Between nationalism and civilizationism: the European populist moment in comparative perspective (2017)Alter/native Heroes: Native Americans, Comic Books, and the Struggle for Self-Definition (2008)Tribal Televisions (2014)Multilingualism at the multiplex: a new audience for screen translation? (2021)Disjuncture and Difference in the Global Cultural Economy (1990)Discourse Analysis as Theory and Method (2002)Decolonization is not a metaphor (2012)Film Festivals : From European Geopolitics to Global Cinephilia (2007)World Cinemas, Transnational Perspectives (2009)National Identity, Popular Culture and Everyday Life (2020)Race and the Education of Desire (1995)Imperialism, Sovereignty and the Making of International Law (2005)Toward a Global Idea of Race (2010)Beyond Bollywood : the cultural politics of South Asian diasporic film (2004)Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)
this work references cited by second hop

References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 2005On Populist Reason2,672 cited
  • 2020The Nation and Its Fragments779 cited
  • 1989The Concept of National Cinema524 cited
  • 2001An Accented Cinema : Exilic and Diasporic Filmmaking476 cited
  • 1972Through Navajo Eyes: An Exploration in Film Communication and Anthropology397 cited
  • 1988“Speaking with Names”: Language and Landscape among the Western Apache290 cited
  • 2005Cinema and Nation245 cited
  • 2007Reading Nanook's Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner)130 cited
  • 2001Celluloid Indians: Native Americans and Film115 cited
  • 2006Dreams of a nation : [on Palestinian cinema]100 cited
  • 2008Why American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-ho86 cited
  • 1999Indigenous aesthetics: Native art, media and identity83 cited
  • 2000Africans filming Africa: Questioning theories of an authentic African cinema67 cited
  • 1896Italian National Cinema 1896–199658 cited
  • 2008

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Palestinian cinema: landscape, trauma, and memory
53 cited

Cited by

  • 2011"Reel Navajo": The Linguistic Creation of Indigenous Screen Memories11 cited
  • 2023Cinema, the Settler7 cited