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I Mix What I Like! In Defense and Appreciation of the Rap Music Mixtape as “National” and “Dissident” Communication
16 references·0 citing·30 second hop
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this work references cited by second hop

References

  • 1992Communication as Culture: Essays on Media and Society2,686 cited
  • 2001Radical Media: Rebellious Communication and Social Movements1,184 cited
  • 2005Can't Stop Won't Stop: A History of the Hip-Hop Generation1,151 cited
  • 1954Nationalism and Social Communication: An Inquiry into the Foundations of Nationality.1,060 cited
  • 1998The Grand Chessboard: American Primacy and Its Geostrategic Imperatives1,032 cited
  • 1972Racial Oppression in America795 cited
  • 1959A Dying Colonialism625 cited
  • 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
  • 2006Hip hop matters: politics, pop culture, and the struggle for the soul of a movement365 cited
  • 1999Last Night a DJ Saved My Life: The History of the Disc Jockey342 cited
  • 2004That's the Joint!342 cited
  • 2006Brothers gonna work it out: sexual politics in the golden age of rap nationalism99 cited
  • 2002Why White Kids Love Hip Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America93 cited
  • 1996Modernization, Marginalization, and Emancipation: Toward a Normative Model of Journalism and National Development70 cited
  • 2000Black Talk Radio53 cited

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  • 2001Voices of Revolution: The Dissident Press in America39 cited
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