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The “Librarian’s Dream-Prince”: Carl Van Vechten and America’s Modernist Cultural Archives Industry
7 references·0 citing·24 second hop
The “Librarian’s Dream-Prince”: Carl Van Vechten and America’s Modernist Cultural Archives Industry (2011)The “Librarian’s Dream-Prince”: Carl Van …Interpreting Objects and Collections (2010)Interpreting Objects and Coll…Remember me to Harlem: the letters of Langston Hughes and Carl Van Vechten, 1925-1964 (2001)Remember me to Harlem: the le…Making music modern : New York in the 1920s (2000)Making music modern : New Yor…On Collecting: An Investigation into Collecting in the European Tradition (1995)On Collecting: An Investigati…Museums, Objects, and Collections: A Cultural Study (1992)Museums, Objects, and Collect…Letters of Wallace Stevens (1966)Letters of Wallace StevensSelected writings of Gertrude Stein (1946)Selected writings of Gertrude…The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)The Predicament of Culture (1988)Learning science in informal environments : people, places, and pursuits (2009)Game reward systems: Gaming experiences and social meanings (2011)Discursivity, difference, and disruption (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)The Cambridge Introduction to Modernist Poetry (2011)Against 1865: Reperiodizing the Nineteenth Century (2013)Mortality and Form in Late Modernist Literature (2014)A Natural History of Pragmatism (2006)Wallace Stevens and the Aesthetics of Abstraction (2010)Yeats and Modern Poetry (2013)Measuring Returns on Investments in Collectibles (1999)Productivity Orientation and the Consumption of Collectable Experiences (2010)Museums and art galleries as partners for public health interventions (2013)Diverse Knowledges and Contact Zones within the Digital Museum (2010)Money and the fear of death: The symbolic power of money as an existential anxiety buffer (2013)Historical empathy in a museum: uniting contextualisation and emotional engagement (2017)“Spectacles in Color”: The Primitive Drag of Langston Hughes (2009)Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater (2011)37. The Acton Photograph Archive: Between Representation and Re-Interpretation (2019)“Everybody Step”: Irving Berlin, Jazz, and Broadway in the 1920s (2006)Big Ears (2008)In Havana and Paris: The Musical Activities of Alejo Carpentier (2008)
this work references cited by second hop

References

  • 2010Interpreting Objects and Collections574 cited
  • 1995On Collecting: An Investigation into Collecting in the European Tradition416 cited
  • 1992Museums, Objects, and Collections: A Cultural Study395 cited
  • 1946Selected writings of Gertrude Stein231 cited
  • 1966Letters of Wallace Stevens214 cited
  • 2000Making music modern : New York in the 1920s99 cited
  • 2001Remember me to Harlem: the letters of Langston Hughes and Carl Van Vechten, 1925-196482 cited

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