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The electric guitar – marketplace icon
7 references·6 citing·38 second hop
The electric guitar – marketplace icon (2015)The electric guitar – marketplace iconPeeking behind the mask of the prosumer (2015)Peeking behind the mask of th…Authenticating by re-enchantment: The discursive making of craft production (2012)Authenticating by re-enchantm…Making Magic: Fetishes in Contemporary Consumption (2011)Making Magic: Fetishes in Con…The Electric guitar: a history of an American icon (2004)The Electric guitar: a histor…The Electric Guitar (2004)The Electric GuitarInstruments of Desire (2001)Instruments of DesireInstruments of desire: the electric guitar and the shaping of musical experience (2000)Instruments of desire: the el…Plastic: a passengerial marketplace icon (2022)Plastic: a passengerial marke…From “aesthetic” to aestheticization: a multi-layered cultural approach (2021)From “aesthetic” to aesthetic…Facemask: from pandemic to marketplace iconicity (2021)Facemask: from pandemic to ma…The sneaker – marketplace icon (2020)The sneaker – marketplace iconLet Us Now Praise Famous Guitars: Persona and the Material Displays of Popular Music Museums (2019)Let Us Now Praise Famous Guit…Tone quest: exploring the (ir)resolvable paradoxes and infinite (im)possibilities of “epic tone” in (rock ‘n’ roll) musical consumption constellations (2018)Tone quest: exploring the (ir…Critical Discourse Analysis: The Critical Study of Language (1995)Simulacra and Simulation (1995)Netnography as a tool for understanding customers: implications for service research and practice (2018)Nostalgia marketing and (re-)enchantment (2019)Impact of perceived brand localness and globalness on brand authenticity to predict brand attitude: a cross-cultural Asian perspective (2021)Advances in Consumer Research (2025)Outline of a Theory of Practice (1977)The Constitution of Society. Outline of the Theory of Structuration (1984)Reassembling the Social (2005)Beyond prosumer capitalism: Retaining the original understanding of prosumption (2017)Theorising the emerging green prosumer culture and profiling green prosumers in the green commodities market (2020)Customer brand engagement and co-production: an examination of key boundary conditions in the sharing economy (2022)Possessions and the Extended Self (1988)The Work of Art in the Age of Mechanical Reproduction (2007)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)The Temporal and Focal Dynamics of Volitional Reconsumption: A Phenomenological Investigation of Repeated Hedonic Experiences (2012)The Systemic Creation of Value Through Circulation in Collaborative Consumer Networks (2016)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)Can't Stop Won't Stop: A History of the Hip-Hop Generation (2005)Signaling Status with Luxury Goods: The Role of Brand Prominence (2010)Re-arranging dressing practices: The role of objects in spreading ugly luxury (2022)Cannibals with forks: the triple bottom line of 21st century business (1999)A Brief History of Neoliberalism (2005)The meaning of the mask: Ambivalent social identity and mask refusal in COVID America (2024)Distinction. A Social Critique of the Judgement of Taste (1985)Subcultures of Consumption: An Ethnography of the New Bikers (1995)Market Work and the Formation of the Omnivorous Consumer Subject (2022)Reclaiming the witch: Processes and heroic outcomes of consumer mythopoesis (2022)Russian Hip Hop and the War in Ukraine (2024)"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003)The Production of Culture Perspective (2004)Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective (2006)Black sound, black body: Jimi Hendrix, the electric guitar, and the meanings of blackness (1999)“This Is America”: Jimi Hendrix's Star Spangled Banner Journey as Psychedelic Citizenship (2014)"Guitar Thinking" and "Genre Thinking" among an Online Community of Guitarists (2023)The Girl Is a Boy Is a Girl: Gender Representations in the Gizzy Guitar 2005 Air Guitar Competition (2009)Performance, Materiality, and Heritage: What Does an Archaeology of Popular Music Look Like? (2013)Rock Guitar Virtuosos (2023)
this work references cited by second hop

References

  • 2000Instruments of desire: the electric guitar and the shaping of musical experience292 cited
  • 2011Making Magic: Fetishes in Contemporary Consumption142 cited
  • 2012Authenticating by re-enchantment: The discursive making of craft production76 cited
  • 2001Instruments of Desire44 cited
  • 2015Peeking behind the mask of the prosumer43 cited
  • 2004The Electric Guitar22 cited
  • 2004The Electric guitar: a history of an American icon12 cited

Cited by

  • 2021From “aesthetic” to aestheticization: a multi-layered cultural approach32 cited
  • 2020The sneaker – marketplace icon28 cited
  • 2021Facemask: from pandemic to marketplace iconicity19 cited
  • 2022Plastic: a passengerial marketplace icon12 cited
  • 2019Let Us Now Praise Famous Guitars: Persona and the Material Displays of Popular Music Museums3 cited
  • 2018Tone quest: exploring the (ir)resolvable paradoxes and infinite (im)possibilities of “epic tone” in (rock ‘n’ roll) musical consumption constellations3 cited

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