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The Cinema of Affections: The Transformation of Authorship in British Cinema before 1907
16 references·1 citing·29 second hop
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this work references cited by second hop

References

  • 1984The Constitution of Society. Outline of the Theory of Structuration21,160 cited
  • 1990The consequences of modernity19,342 cited
  • 1971Problems in general linguistics2,151 cited
  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 1980Textual Strategies: Perspectives in Post-Structuralist Criticism651 cited
  • 2025The Berne Convention for the Protection of Literary and Artistic Works550 cited
  • 1997Post-Theory. Reconstructing Film Studies516 cited
  • 1991Picture personalities: the emergence of the star system in America459 cited
  • 2001Melodrama and modernity: early sensational cinema and its contexts454 cited
  • 2013Narrative Comprehension and Film444 cited
  • 1992Babel and Babylon: Spectatorship in American Silent Film.408 cited
  • 1970Theory of the Film: Character and Growth of a New Art397 cited
  • 2003Film Structure and the Emotion System285 cited
  • 1975The Imaginary Signifier

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279 cited

Cited by

  • 2008The motion picture story magazine and the origins of popular British film culture6 cited