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The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain)
9 references·5 citing·46 second hop
The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain) (2014)The Sound of Rock Art. The Acoustics of t…Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain) (2012)Acoustics and Levantine rock …Time, Color, and Sound: Revisiting the Rock Art of Didima Gorge, South Africa (2011)Time, Color, and Sound: Revis…New flutes document the earliest musical tradition in southwestern Germany (2009)New flutes document the earli…Encyclopedia of anthropology (2006)Encyclopedia of anthropologyInscribed landscapes: marking and making place (2003)Inscribed landscapes: marking…Seeing is deceiving: Rock art and the non-visual (2001)Seeing is deceiving: Rock art…Handbook of rock art research (2001)Handbook of rock art researchPRELIMINARY FINDINGS AT THE ‘ORGAN’SANCTUARY IN THE CAVE OF NERJA, MALAGA, SPAIN (1984)PRELIMINARY FINDINGS AT THE ‘…Rock Paintings of Southern Andalusia: a Description of a Neolithic and Copper Age Art Group (1930)Rock Paintings of Southern An…The Bacinete Main Shelter: A Prehistoric Theatre? (2023)The Bacinete Main Shelter: A …Recovering the intangible acoustic heritage of rock art sites: El Tajo de las Figuras as a case study (2023)Recovering the intangible aco…Sound Archaeology: A Study of the Acoustics of Three World Heritage Sites, Spanish Prehistoric Painted Caves, Stonehenge, and Paphos Theatre (2019)Sound Archaeology: A Study of…Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered (2019)Prehistoric Bird Watching in …Hear Here: Prehistoric Artists Preferentially Selected Reverberant Spaces and Choice of Subject Matter Underscores Ritualistic Use of Sound (2018)Hear Here: Prehistoric Artist…Archaeological Evidence for the Emergence of Language, Symbolism, and Music–An Alternative Multidisciplinary Perspective (2003)Radiocarbon dating the appearance of modern humans and timing of cultural innovations in Europe: new results and new challenges (2003)A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany (2009)Evolution, revolution or saltation scenario for the emergence of modern cultures? 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Part-1: Prehistoric (2015)Hearing rock art landscapes: a survey of the acoustical perception in the Sierra de San Serván area in Extremadura (Spain) (2017)Mountain living: The Holocene people of the uKhahlamba-Drakensberg, South Africa (2021)The Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply] (1980)La dimension sonore des grottes ornées (1988)Archaeologies of art : time, place, and identity (2008)Archaeoacoustics of intangible cultural heritage: The sound of the Maior Ecclesia of Cluny (2016)Acoustic Measurements and Digital Image Processing Suggest a Link Between Sound Rituals and Sacred Sites in Northern Finland (2017)Do You Hear What I See? Analyzing Visibility and Audibility in the Rock Art Landscape of the Alicante Mountains of Spain (2017)Iconology (1986)The Ideology of the Aesthetic (1988)Downcast eyes: the denigration of vision in twentieth-century French thought (1994)ARCHAEOLOGY OF THE BODY (2005)Vision, Media, Noise and the Percolation of Time (2006)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Alexander the Great and the Logistics of the Macedonian Army (1978)The Basin of Mexico: Ecological Processes in the Evolution of a Civilization (1981)Egypt in Late Antiquity (1993)Reflections on Place and Place‐making in the Cities of China (2007)Co-becoming Bawaka (2015)Symbolic and Structural Archaeology (1982)Reading the Past (2003)Non-Representational Theory (2008)Using scale modelling to assess the prehistoric acoustics of Stonehenge (2020)Archaeoacoustics around the World: A Literature Review (2016–2022) (2023)Psychoacoustic Study of the Rock Art Sites of Cuevas de la Araña (Bicorp, Spain) (2025)PALAEOLITHIC LITHOPHONES: DESCRIPTIONS AND COMPARISONS (1985)Acoustic rock art landscapes: A comparison between the acoustics of three levantine rock art areas in mediterranean Spain (2015)Hominin musical sound production: palaeoecological contexts and self domestication (2024)Roaring Rocks: An Audio-Visual Perspective on Hunter-Gatherer Engravings in Northern Sweden and Scandinavia (2002)Sympathetic Magic in Western North American Rock Art (2006)The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art (2007)Grabados paleolíticos en la Cueva del Tajo de las Figuras (Benalup, Cádiz) (1991)A contribution to the debate about prehistoric rock art in southern Europe: New Palaeolithic motifs in Cueva de las Palomas IV, Facinas (Tarifa, Cádiz, Spain) (2021)Nietzsche, the Overhuman, and Transhumanism (2009)The Colonization of “Savannahstan”: Issues of Timing(s) and Patterns of Dispersal Across Asia in the Late Pliocene and Early Pleistocene (2010)Literacy inequalities in theory and practice: The power to name and define (2011)
this work references cited by second hop

References

  • 2009New flutes document the earliest musical tradition in southwestern Germany624 cited
  • 2003Inscribed landscapes: marking and making place167 cited
  • 2001Handbook of rock art research158 cited
  • 2001Seeing is deceiving: Rock art and the non-visual111 cited
  • 2006Encyclopedia of anthropology98 cited
  • 2012Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)61 cited
  • 1984PRELIMINARY FINDINGS AT THE ‘ORGAN’SANCTUARY IN THE CAVE OF NERJA, MALAGA, SPAIN32 cited
  • 2011Time, Color, and Sound: Revisiting the Rock Art of Didima Gorge, South Africa23 cited
  • 1930Rock Paintings of Southern Andalusia: a Description of a Neolithic and Copper Age Art Group22 cited

Cited by

  • 2019Sound Archaeology: A Study of the Acoustics of Three World Heritage Sites, Spanish Prehistoric Painted Caves, Stonehenge, and Paphos Theatre52 cited
  • 2023The Bacinete Main Shelter: A Prehistoric Theatre?13 cited
  • 2018Hear Here: Prehistoric Artists Preferentially Selected Reverberant Spaces and Choice of Subject Matter Underscores Ritualistic Use of Sound6 cited
  • 2019Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered5 cited
  • 2023Recovering the intangible acoustic heritage of rock art sites: El Tajo de las Figuras as a case study

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5 cited