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Legal Fictions: Copyright, Fan Fiction, and a New Common Law
0 references·13 citing·37 second hop
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  • 2010Does IP Need IP? Accommodating Intellectual Production Outside the Intellectual Property Paradigm39 cited
  • 2010Comics worlds and the world of comics : towards scholarship on a global scale25 cited
  • 2015Crowdfunding: Towards a redefinition of the artist’s role – the case of MegaTotal24 cited
  • 2014The Moralities of Intellectual Property: Subtitle Groups as Cultural Brokers in China19 cited
  • 2014“Fair use is legal use”: Copyright negotiations and strategies in the fan-vidding community18 cited
  • 2020Open branding: Managing the unauthorized use of brand-related intellectual property13 cited
  • 2017Fan (Fiction) Acting on Media and the Politics of Appropriation12 cited
  • 2009Do Fans Own Digital Comic Books? Examining the Copyright and Intellectual Property Attitudes of Comic Book Fans12 cited
  • 2014‘Except that Joss Whedon is god’: fannish attitudes to statements of author/ity11 cited
  • 2014‘Let's Get a Bit of Context’: Fifty Shades and the Phenomenon of ‘Pulling to Publish’ in Twilight Fan Fiction8 cited
  • 2015Fandom and Fan Culture7 cited
  • 2019Fandom and Fan Culture in the Golden Age and Beyond3 cited
  • 2017Interactivité, resémantisation, et plaisirs de la primauté ontologique : les œuvres de fans comme centre du récit1 cited

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