Comics and Collective Authorship

Christy Mag Uidhir

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Comics and Graphic Narratives Intellectual Property Law Narrative Theory and Analysis

Abstract

This chapter contains sections titled: Introduction A Cautious Set-Up Minimal Authorship (of Sorts) Minimal Authorship (of the Comic Sort) Some Work for a Theory of Comic Authorship Illustrating Robust Comic Authorship Comic Authorship of the McCloudian Sort Appropriation Cases Commission Cases Collaborative Cases Non-Collaborative Cases Final Thoughts Notes References

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References

1998Understanding Comics: The Invisible Art 1968The American Cinema: Directors and Directions, 1929-1968 1993Music, Art, and Metaphysics.1997Film Authorship and Collaboration 2008The Routledge Companion to Philosophy and Film 2009The Routledge companion to philosophy and film 2007Defining Comics?2007Collective Authorship in Film

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2017The Narratology of Comic Art 2024Innovations in Digital Comics 2016Understanding comics’ mediality as an actor-network: some elements of translation in the works of Brian Fies and Dylan Horrocks 2017The editor, the author function, and the social function: a methodological survey 2023The Philosophy of Comics

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