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The Routledge Companion to Advertising and Promotional Culture
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The Routledge Companion to Advertising and Promotional Culture (2013)The Routledge Companion to Advertising an…Female creative managers as drivers for gender diversity in advertising creative departments: a critical mass approach (2023)Female creative managers as d…Circulation and Control (2021)Circulation and Control14. ‘Photography VS the Press’ (2021)14. ‘Photography VS the Press’“Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands (2019)“Trust Us, We’re You”: Aspira…Apprehending public relations as a promotional industry (2017)Apprehending public relations…A Pinch of Ethics and a Soupçon of Home Cooking: Soft-Selling Supermarkets on Food Television (2016)A Pinch of Ethics and a Soupç…Cartomania: Sensation, Celebrity, and the Democratized Portrait (2015)Cartomania: Sensation, Celebr…Viestinnän ammattilaiset promootioyhteiskunnassa: aktivisteja ja ajatusjohtajia (2014)Viestinnän ammattilaiset prom…Building strong brands in a modern marketing communications environment (2009)Engaging stakeholders through social networking: How nonprofit organizations are using Facebook (2009)Mediatization: Concept, Changes, Consequences (2009)ethics of journalism challenged (2022)Professional Lobbying in Urban Planning: Publicity Management and Transparency Discourse on a Collision Course? (2022)The Ontology of the Photographic Image (1960)Classic Essays on Photography (1981)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Caught in the Act: Photography on the Victorian Stage (2016)A previously unexplored encounter: the English judiciary, carte de visite and photography as a form of mass media (2018)Feminist strategies for changing the story: re-imagining Arctic exploration narratives through (the staging of) photographs, travel writing and found objects (2021)Non-places: Introduction to an anthropology of supermodernity (1996)Non-Places: Introduction to an Anthropology of Supermodernity. (1996)The Omnivore's Dilemma: A Natural History of Four Meals (2007)Free Labor (2000)The New Spirit of Capitalism (2005)Consumer Culture and Postmodernism (2007)Public relations as a complex decision-based practice (2019)The man behind the woman: Publicity, celebrity public relations, and cultural intermediation (2020)Arts promotion and Black urban displacement: Exploring the paradox of the positive in government public relations and urban renewal discourse (2024)Culture and Subjectivity in Neoliberal and Postfeminist Times (2008)(Not) Getting Paid to Do What You Love (2017)Beauty surveillance: The digital self-monitoring cultures of neoliberalism (2017)After fashion film: social video and brand content in the influencer economy (2020)Lil Miquela in the folds of fashion: (Ad-)dressing virtual influencers (2022)Vision, Race, and Modernity (1997)American Literature and the Culture of Reprinting, 1834-1853 (2003)The Egyptian Labor Market in an Era of Revolution (2015)Some Effects of Proportions on Group Life: Skewed Sex Ratios and Responses to Token Women (1977)Homophily and Differential Returns: Sex Differences in Network Structure and Access in an Advertising Firm (1992)Birds of a Feather: Homophily in Social Networks (2001)Beyond tipping points: critical mass theory through the lens of board gender diversity (2025)
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  • 2015Cartomania: Sensation, Celebrity, and the Democratized Portrait28 cited
  • 2017Apprehending public relations as a promotional industry25 cited
  • 2021Circulation and Control13 cited
  • 2019“Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands13 cited
  • 2023Female creative managers as drivers for gender diversity in advertising creative departments: a critical mass approach12 cited
  • 2014Viestinnän ammattilaiset promootioyhteiskunnassa: aktivisteja ja ajatusjohtajia10 cited
  • 2016A Pinch of Ethics and a Soupçon of Home Cooking: Soft-Selling Supermarkets on Food Television6 cited
  • 202114. ‘Photography VS the Press’2 cited

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