Oye como va!: hybridity and identity in Latino popular music

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Music History and Culture Latin American and Latino Studies Afro-Latin American Studies

Abstract

Preface 1. Introduction: Hybridity, Identity, and Latino Popular Music 2. Historical Perspectives on Latinos and the Latin Music Industry 3. To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock 'n' Roll 4. Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries 5. New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music 6. From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje 7. Marketing Latinidad in a Global Era Notes Selected Bibliography Index

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1998The Dominican Americans

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2011Latin Down Under: Latin American migrant musicians in Australia and New Zealand 2013‘Cocolos Modernos’: Salsa, Reggaetón, and Puerto Rico's Cultural Politics of Blackness 2022Bienaventurado el que escuche este liriqueo: Negotiating latinidad through reggaeton 2013Transcultural Latino: Negotiating Music Industry Expectations of Latin American Migrant Musicians in Australasia 2014Sounding the Latin Transatlantic: Music, Integration, and Ambivalent Ethnogenesis in Spain 2016The Death of “la Reina de la Salsa:” Celia Cruz and the Mythification of the Black Woman 2012Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect

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