Nowhere to Run: The Story of Soul Music

Gerri Hirshey

74 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis Theater, Performance, and Music History

Abstract

Singing Both Sides * Sympathy for the Devil * Sweet Inspiration * Uptown, Saturday Night * High-Octane Dreams * We Sang Like Angels City Soul * Pressing Hits, Spo-Dee-O-Dee * Broadway Fricassee * Lady, You Shot Me * Motown Redux * Still Smokin * The Girls, Part One * The Girls, Part Two * Are You Ready for a Brand-new Beat? * Shake Me, Wake Me (When Its Over) * Roadrunners, Trouble Men, and Thrillers * Aretha Franklin: A Womans Only Human * They Also Sang Southern Soul * Superbull, Superbad * Soulsville, U.S.A. * Soul Men * Respect When I Come Home * And the South Shall Rise Again * No More Runnin

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 74 citations exist upstream.

Cited by

1986Monster Metaphors: Notes on Michael Jackson’s ‘Thriller’1992The Smiths: repressed (but remarkably dressed)2012Sam Cooke as Pop Album Artist—A Reinvention in Three Songs 2013Why African Americans Put the Banjo Down 2013Black Hillbillies 1992Sometimes it's hard to be a woman: Reinterpreting a country music classic 2024Embodied Expression in Popular Music 2005Detroit, City of Cars, City of Music

Imported from OpenAlex (CC0) — nothing here is generated.