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Theatre of the book, 1480–1880: print, text, and performance in Europe
0 references·4 citing·14 second hop
Theatre of the book, 1480–1880: print, text, and performance in Europe (2001)Theatre of the book, 1480–1880: print, te…Post-performance: Pandemic Breach Experiments, Big Theatre Data, and the Ends of Theory (2023)Post-performance: Pandemic Br…Cinematic virtual reality: Towards the spatialized screenplay (2018)Cinematic virtual reality: To…“Symbols in Silence”: Edward Gordon Craig and the Engraving of Wordless Drama (2013)“Symbols in Silence”: Edward …ELOQUENT ACTION: THE BODY AND MEANING IN EARLY COMMEDIA DELL'ARTE (2009)ELOQUENT ACTION: THE BODY AND…A Grammar of Motives (1969)A New history of early English drama (1997)Humoring the Body (2004)The Theater and Its Double (1958)Postdramatic Theatre (2006)Characters of Shakespeare's Plays (2009)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Perspective as symbolic form (1992)The skin of the film: intercultural cinema, embodiment, and the senses (2000)Immersive media practices in the classroom: models of the teaching research nexus in an Australian context (2020)The CVR narrative as a moebius strip1 (2020)Between Theater and Anthropology (1985)Unmarked: The Politics of Performance (1994)Pandora's Hope: Essays on the Reality of Science Studies (2000)
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  • 2018Cinematic virtual reality: Towards the spatialized screenplay37 cited
  • 2023Post-performance: Pandemic Breach Experiments, Big Theatre Data, and the Ends of Theory8 cited
  • 2009ELOQUENT ACTION: THE BODY AND MEANING IN EARLY COMMEDIA DELL'ARTE8 cited
  • 2013“Symbols in Silence”: Edward Gordon Craig and the Engraving of Wordless Drama7 cited

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