A Symphony of Absence: Borders and Liminality in Elia Suleiman's Chronicle of a Disappearance

Haim Bresheeth

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Cinema History and Criticism Jewish and Middle Eastern Studies Ethics, Aesthetics, and Art

Abstract

This article discusses Elia Suleiman's Chronicle of a Disappearance (1996) on\nthe background of the Al Aqsa Intifada. The film was chosen not only\nbecause of its innovative aesthetics but also due to its prophetic, as well as,\ndisturbing political analysis of the Zionist enterprise embedded within its\nunique cinematic style.

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